2x2 网格，16:9，为 4 部被低估的国际科幻电影执行此操作：// FN: anime_still(CHARACTER, SETT…

2x2 grid, 16:9, do this for 4 underrated international scifi movies: // FN: anime_still(CHARACTER, SETTING, TIME, ERA, TIER, MOOD) INPUT CHARACTER = $ infer SETTING = $ infer TIME = $ infer ERA = $ infer TIER = $ infer MOOD = $ infer DISPATCH :: ERA → production reality 1980-92 cel : hand-painted, RICH saturated paint, visible cel dust and fine scratches, slight registration wobble, 1 shadow step, dark brown-black line, painted BG with heavy brush texture 1993-99 cel→digital : transitional, cleaner paint, 1–2 steps, first digital compositing, BG still painted, slight color banding 2000-10 digital : flat digital paint, 2 steps common, rim light appears, BG digitally painted but still soft-edged and detailed 2011+ digital : 2 steps + gradient allowed ONLY in the photography pass, heavy bloom and diffusion, BG photo-referenced, thin lines DISPATCH :: TIER → detail budget (this is the realism lever) tv_weekly : minimal line count, simple shadow shapes, BG reused-looking, character held on 3s, no complex effects tv_premium: more line detail in key frames, 2-step shadow on the face film : dense linework, complex shadow shapes following real anatomy, highly detailed BG, subtle effects layer, held poses are rare ova : film detail, darker palette, more mature proportions DISPATCH :: TIME → palette swatch set + shadow direction + photography grade morning : cool blues and pale yellow, long shadows, clean bloom midday : high-key, minimal shadow, saturated greens outside late_afternoon : warm ochre/rose BG, LONG horizontal shadows, heavy bloom through windows, dust motes, orange gradient map over all dusk : magenta-to-indigo BG, silhouettes, warm rim on one edge night : deep blue-violet, cool shadow swatch, practicals as bloom sources, character lit only where a light source justifies INVARIANT LAWS // do not vary with any input L_BG : painted, NO outlines, MORE detail than the character L_LINE : constant weight, tapered ends, dark brown not black for skin L_FILL : flat, no gradient, no texture, no noise L_SHADOW : hard-edged, {ERA.steps} step(s), a SEPARATE cooler swatch — not the base color multiplied. The boundary is a drawn line. L_HIGHLIGHT : flat, hard, sparse. Hair gets ONE band. Eye catchlight is a fixed shape that does NOT track the light source. L_FX : drawn discrete elements, never particle simulation L_PHOTO : the ONLY layer permitted soft gradients — bloom, diffusion, grade, grain, applied to the flattened stack FORBIDDEN ✗ gradient shading on the character ✗ soft shadow edges ✗ outlines on background elements ✗ character out-detailing the BG ✗ line weight varying with light ✗ per-pixel specular on skin ✗ photographic DOF on the BG (painted soft ≠ lens blur) RENDER Anime still, {ERA.medium}, {TIER} production. {CHARACTER} in {SETTING}, {TIME}. {TIME.palette}. Background painted with {L_BG}. Character in {L_LINE}, {L_FILL}, shadows as {ERA.steps} hard-edged step(s) in a cooler swatch with no soft falloff anywhere. {L_HIGHLIGHT}. {TIME.fx}. Over everything: {L_PHOTO}. {MOOD.pose_hold}. AUDIT shadow_boundary_gradient ≈ 0px · shadow_steps == ERA.steps detail(BG) > detail(character) · line_weight_variance ≈ 0 every soft gradient originates in L_PHOTO

2x2 网格，16:9，为 4 部被低估的国际科幻电影执行此操作：// FN: anime_still(CHARACTER, SETTING, TIME, ERA, TIER, MOOD) INPUT（输入） CHARACTER = $ 推断 SETTING = $ 推断 TIME = $ 推断 ERA = $ 推断 TIER = $ 推断 MOOD = $ 推断 DISPATCH :: ERA → 制作现实（production reality） 1980-92 cel：手绘，浓郁饱和的颜料，可见赛璐珞粉尘与细微划痕，轻微套色抖动（registration wobble），1 级阴影，暗棕黑色线条，背景为厚笔触质感的手绘 BG 1993-99 cel→digital：过渡期，颜料更干净，1–2 级阴影，数字合成首现，BG 仍为手绘，存在轻微色带（color banding） 2000-10 digital：扁平数字上色，2 级阴影常见，边缘光（rim light）出现，BG 数字绘制但仍保持柔边与细节 2011+ digital：仅在摄影合成层（photography pass）允许 2 级阴影 + 渐变，重度 bloom 与柔光，BG 基于照片参考（photo-referenced），细线条 DISPATCH :: TIER → 细节预算（detail budget）（这是写实度杠杆） tv_weekly：线条数极少，阴影形状简单，BG 看起来被复用，角色保持 3 帧（held on 3s），无复杂特效 tv_premium：关键帧有更多线条细节，面部 2 级阴影 film：线条密集，阴影形状复杂并遵循真实人体解剖，BG 高度细致，存在微妙特效层，保持的姿态少见 ova：film 级细节，调色板更深，体型比例更成熟 DISPATCH :: TIME → 调色板色样集 + 阴影方向 + 摄影调色 morning（清晨）：冷蓝与浅黄，长阴影，干净的 bloom midday（正午）：高调（high-key），阴影极少，外部饱和绿 late_afternoon（傍晚）：暖赭石/玫瑰色 BG，水平长阴影，透过窗户的重度 bloom，尘埃微粒（dust motes），整体覆盖橙色渐变映射（orange gradient map） dusk（黄昏）：品红到靛蓝的 BG，剪影，单侧暖边缘光 night（夜晚）：深蓝紫，冷阴影色样，实用光（practicals）作为 bloom 光源，角色仅在光源合理的位置被照亮 INVARIANT LAWS // 不随任何输入变化 L_BG ：手绘，无描边，细节多于角色 L_LINE ：恒定线宽，渐细收尾（tapered ends），肤色用深棕而非黑 L_FILL ：平涂，无渐变，无纹理，无噪点 L_SHADOW ：硬边，{ERA.steps} 级阴影，使用独立的冷色调色样——而非基色相乘。边界为绘制线 L_HIGHLIGHT ：平面，硬边，稀疏。头发仅一条高光带。眼睛高光点（catchlight）为固定形状，不追踪光源 L_FX ：离散绘制元素，永不使用粒子模拟 L_PHOTO ：唯一允许柔渐变的图层——bloom、柔光（diffusion）、调色（grade）、颗粒（grain），应用于已合并的整层 FORBIDDEN（禁止项） ✗ 角色上的渐变上色 ✗ ✗ 柔边阴影 ✗ 背景元素上的描边 ✗ ✗ 角色细节超过 BG ✗ 线宽随光变化 ✗ ✗ 皮肤上的逐像素高光（per-pixel specular） ✗ BG 上的摄影景深（手绘的柔 ≠ 镜头模糊） RENDER（渲染） 动画静帧（Anime still），{ERA.medium} 介质，{TIER} 制作。{CHARACTER} 位于 {SETTING}，{TIME}。{TIME.palette}。背景以 {L_BG} 手绘。角色采用 {L_LINE}，{L_FILL}，阴影为 {ERA.steps} 级硬边，使用冷色调色样，全局无任何柔衰减。{L_HIGHLIGHT}。{TIME.fx}。在所有内容之上叠加：{L_PHOTO}。{MOOD.pose_hold}。 AUDIT（审核） shadow_boundary_gradient ≈ 0px · shadow_steps == ERA.steps detail(BG) > detail(character) · line_weight_variance ≈ 0 every soft gradient originates in L_PHOTO