竖屏 9:16 智能手机视频，一段连续不断的 24.6 秒长镜头，无剪辑，根据所上传参考视频中的歌曲编排动作。仅使用所上传参考音乐的音…

Vertical 9:16 smartphone video, a single continuous 24.6-second take with no cuts, choreographed to the song from the uploaded reference. Use the uploaded reference music ONLY for its audio track and musical timing.. The performer is the character from the provided character reference @image1 . Match their face, hair, body proportions, clothing and accessories exactly, and keep them identical in every frame from extreme close-up to full body. It looks like a casual TikTok dance video filmed on a phone propped on a ledge on a sunny European city sidewalk corner. The camera is completely locked off for the entire clip, with zero camera movement: no pan, no tilt, no zoom, no handheld shake. Framing changes only because the performer walks toward and away from the lens. Location: a wide sidewalk of terracotta and salmon-colored square pavers with a grey tactile-paving strip leading to a white zebra crosswalk behind the performer. A grey metal signpost stands at the left third of frame, with tall streetlamps behind it. Across the road are modern cream and tan apartment blocks with balconies and a rounded corner facade, a low green hedge and a small blue street sign. The sky is bright blue with large white cumulus clouds and fills the upper half of the frame. Camera and lens: phone main lens, about 24–26mm full-frame equivalent, placed about 1.1 m high and tilted slightly upward, so building verticals converge toward the top of the frame. Deep focus: everything is sharp at every distance. Lighting: hard, bright afternoon sunlight with crisp shadows on the pavers, phone HDR, saturated colors, deep blue sky. Performance style: a completely deadpan, expressionless face with a wide-eyed stare into the lens throughout. All hand movements are small, precise, sharp and mechanical, locked to the beat of the music, with light rhythmic knee bounces. "Right hand" means the character's own right hand, which appears on screen left while they face the camera. Choreography, beat by beat: 0.0–0.8 s: Extreme close-up. The character stands about 40 cm from the lens, chest and shoulders filling the frame, top of the head cropped. They stare down into the lens, motionless. 0.8–2.3 s: They walk straight backward to a mark about 3 m from the camera, touching their collar with the right hand around 1.3 s, then letting their arms settle at their sides. They are centered, framed from head to mid-shin. 2.4–3.2 s: Both hands rise to chest height, palms facing the chest, fingers spread, fingertips wiggling. The fingertips turn to point toward each other, and the hands meet at the center of the chest by 3.2 s. 3.3–4.1 s: Both index fingers point forward with the hands stacked at the center of the chest, the fingers making small twirling circles around each other. 4.1–4.5 s: The hands sink to the belly, then drop straight down to the sides. 4.6–5.2 s: Both arms swing stiffly outward to about 35 degrees from the body, palms down and fingers spread like a penguin, while the character takes one step toward the camera. 5.3–5.6 s: The right forearm swings horizontally across the belly while the left arm hangs, and the hands meet at the waist. 5.6–6.2 s: The arms drop loose, the body sways toward screen right, and the character steps back to their mark. 6.3–7.2 s: Fists come up. They crank alternately at chest and belly height, then stack knuckle-to-knuckle in front of the sternum and twist as if wringing a towel. 7.3–10.2 s: A hand-over-hand rope-pull, about two swaps per second. One fist rises to the chin while the other drops to the waist, then they swap, with the torso leaning slightly toward screen left and small head tilts. At 9.0 s both forearms stack horizontally across the chest with elbows high. At 9.3 s the fists stack in front of the chin; at 9.5 s the palms clasp together at the chest. Then the rope-pull resumes until 10.2 s. 10.3 s: A quick knee dip; the whole body drops slightly. 10.5–11.0 s: The hands hover at the chest with palms facing each other, one above the other, then turn flat and roll around each other horizontally. 11.2–11.8 s: Both fists rise to the collar with elbows out, as if gripping lapels. 12.0–12.2 s: A sharp torso twist toward screen left with the head dipping and the right arm swinging down across the body. The torso then snaps back, right arm at the hip. 12.3–12.9 s: The hands roll around each other at waist height, ending crossed at the wrists. 13.0–13.3 s: The character side-steps to the right third of the frame and turns their body about 60 degrees to face screen left. 13.3–18.0 s: An old-timey bare-knuckle boxer stance in 3/4 profile facing screen left. Both fists are raised in front of the chest, left fist forward, rolling in small vertical circles. Short jabs go toward screen left, and at 13.6 s and 16.5 s both arms extend fully toward screen left. The character bobs and ducks, dipping low at 14.8 s and 17.5 s, knees bouncing, head turned so the eyes stay on the lens, lips pursed. Meanwhile a white hatchback crosses the road behind from right to left (14.0–14.7 s), and a white SUV crosses from left to right (15.3–16.5 s). 18.0–18.4 s: The guard drops and the character turns to face the camera. 18.4–19.2 s: They walk toward the camera to about 1.5 m, framed waist-up, with the head slightly tilted and a blank stare. 19.2–19.4 s: They step back to about 2.5 m, arms at their sides. 19.5–20.5 s: Alternating index-finger points at the lens, right hand then left, jabbing forward about twice per second. 20.6–21.3 s: They walk straight toward the lens. 21.3–21.9 s: Chest-up close-up, face filling the upper frame, a slight sway. 22.0–22.4 s: The character shifts slightly toward screen right while swinging the right arm up. 22.4–23.9 s: Held pose. The right upper arm is raised with the elbow pointing screen left at head height, and the forearm bends back so a loose fist rests just above and behind the head. The head tilts toward screen right, the eyes cut sideways to the lens, and the body sways slightly. 23.9–24.6 s: The arm drops and the character leans in and slightly down toward the lens until the frame crops at the nose. The clip ends on pursed lips in the upper part of the frame. Physics: grounded, natural body weight. Knee bounces compress into the pavement, hair sways slightly and settles with head movement, and clothing creases at the elbows and shoulders and shifts with the torso. Movement is quick and rhythmic, never floaty. Image look: real smartphone footage, digitally sharp, phone HDR, natural wide-lens perspective distortion at close range, no film grain, no cinematic color grade, no shallow depth of field. Constraints: no camera movement, no cuts, no slow motion, no extra people, no smiling or exaggerated facial animation, no deviation from the character reference, no copying of the reference video's performer, no morphing of hands or face, no mirrored screen direction.

竖屏 9:16 智能手机视频，一段连续不断的 24.6 秒长镜头，无剪辑，根据所上传参考视频中的歌曲编排动作。仅使用所上传参考音乐的音频轨道和音乐节拍。表演者是所提供的角色参考 @image1 中的角色。需精准匹配其面部、头发、身体比例、服装和配饰，并在每一个镜头中——从极近特写到全身——保持完全一致。 看起来像一部在阳光明媚的欧洲城市街角、用支在人行道矮墙上的手机拍摄的随性 TikTok 舞蹈视频。整段镜头中相机完全锁定，零运镜：无平移、无俯仰、无变焦、无手持抖动。构图的变化仅因为表演者向镜头走近或走远。 地点：宽阔的人行道由赤陶色和鲑鱼色方形地砖铺成，灰色盲道条通向表演者身后的白色斑马线。画面左侧三分之一处有一根灰色金属标志杆，其后方是高大的街灯。街对面是现代化的米色与浅褐色公寓楼，带阳台和圆角立面，楼下有一排低矮的绿色树篱和一块蓝色小街牌。天空呈明亮的蓝色，飘着大朵的白色积云，占据画面上半部分。 相机与镜头：手机主镜头，约 24–26mm 全画幅等效焦距，置于约 1.1 米高度并略微仰拍，因此建筑的垂直线向画面顶部汇聚。深焦：无论远近一切都保持清晰。 光线：强烈、明亮的午后阳光，地砖上有锐利的阴影，手机 HDR，色彩饱和，天空深蓝。 表演风格：全程面无表情、完全冷脸，双眼睁大直盯镜头。所有手部动作小巧、精准、干脆且机械化，严格卡在音乐节拍上，伴随轻微有节奏的膝盖弹动。"右手"指角色自身的右手，在其面向镜头时出现在画面左侧。 逐拍舞蹈编排： 0.0–0.8 秒：极近特写。角色距镜头约 40 厘米，胸部与肩膀填满画面，头顶被裁出。他们向下直盯镜头，一动不动。 0.8–2.3 秒：他们径直后退到距相机约 3 米处的标记点，约 1.3 秒时用右手触碰衣领，然后让双臂自然垂落身侧。角色居中，从头部到小腿中部入画。 2.4–3.2 秒：双手抬至胸前高度，掌心朝向胸部，手指张开，指尖轻颤。指尖转为相对，在 3.2 秒时双手在胸部中央合拢。 3.3–4.1 秒：双手食指向前指出，双手叠在胸部中央，手指相互绕着小圈旋转。 4.1–4.5 秒：双手沉至腹部，然后径直垂落到身侧。 4.6–5.2 秒：双臂僵硬地向外张开至约 35 度角，掌心向下，手指张开如企鹅状，同时角色向镜头迈进一步。 5.3–5.6 秒：右前臂水平横扫过腹部，左臂垂下，双手在腰部会合。 5.6–6.2 s：双臂松弛下垂，身体向画面右侧摆动，角色退回标记点。 6.3–7.2 秒：双拳抬起。在胸前和腹部高度交替摇动，然后拳对拳叠在胸骨前像拧毛巾一样扭转。 7.3–10.2 秒：手交替拉绳动作，约每秒两次交换。一拳抬至下巴，另一拳落至腰部，然后交换，躯干微微向画面左侧倾斜，头部小幅侧倾。9.0 秒时两前臂水平叠在胸前，肘部抬高。9.3 秒时双拳叠在下巴前；9.5 秒时双掌在胸前相扣。然后拉绳动作恢复至 10.2 秒。 10.3 秒：快速屈膝下蹲，整个身体轻微下沉。 10.5–11.0 秒：双手悬于胸前，掌心相对，一上一下，然后摊平水平地相互绕转。 11.2–11.8 秒：双拳抬至衣领处，肘部外张，像抓住翻领一样。 12.0–12.2 秒：躯干猛然向画面左侧扭转，头部下低，右臂向下横扫过身体。躯干随即弹回，右臂置于髋部。 12.3–12.9 秒：双手在腰部高度相互绕转，最后在手腕处交叉。 13.0–13.3 秒：角色横移至画面右侧三分之一处，身体转约 60 度面向画面左侧。 13.3–18.0 秒：面向画面左侧呈 3/4 侧面的老式裸拳拳手架势。双拳抬于胸前，左拳在前，做小幅垂直绕环。短促刺拳打向画面左侧，在 13.6 秒和 16.5 秒时双臂完全伸向画面左侧。角色上下起伏闪躲，分别在 14.8 秒和 17.5 秒时大幅下蹲，膝盖弹动，头部转动使眼睛始终盯着镜头，嘴唇撅起。同时一辆白色掀背车在背景道路上从右向左驶过（14.0–14.7 秒），一辆白色 SUV 从左向右驶过（15.3–16.5 秒）。 18.0–18.4 秒：拳架放下，角色转身面向镜头。 18.4–19.2 秒：他们向镜头走来至约 1.5 米处，腰部以上入画，头部微微倾斜，面无表情。 19.2–19.4 秒：他们退回至约 2.5 米处，双臂垂于身侧。 19.5–20.5 秒：交替用食指指向镜头，右手先左手后，以约每秒两次的频率向前戳出。 20.6–21.3 秒：他们径直向镜头走来。 21.3–21.9 秒：胸部以上特写，面部填充画面上半部分，轻微摇摆。 22.0–22.4 秒：角色微微向画面右侧移动，同时挥起右臂。 22.4–23.9 秒：定格姿势。右上臂抬起，肘部指向画面左侧至头部高度，前臂向后弯折，使松握的拳头停在头部正上方略偏后。头部向画面右侧倾斜，眼角斜瞥镜头，身体轻微摇摆。 23.9–24.6 秒：手臂放下，角色前倾并微微向下朝向镜头，直到画面裁切至鼻部。镜头在画面上方的撅嘴表情上结束。 物理效果：贴地、真实的体重感。膝盖弹动压缩至地面，头发随头部动作轻微摆动后落定，服装在肘部和肩部产生褶皱并随躯干移动。动作快速而有节奏，绝不飘忽。 画面质感：真实智能手机拍摄，画面数字化锐利，手机 HDR，近距离自然广角透视畸变，无胶片颗粒，无电影感调色，无浅景深。 限制条件：无运镜，无剪辑，无慢动作，无额外人物，无微笑或夸张面部表情，不得偏离角色参考，不得复制参考视频中的表演者，手部和面部不得变形，画面方向不得镜像。