以下是上述视频的完整 Seedance 2.5 提示词:

Here was the full Seedance 2.5 prompt for the video above: SCENE CONTEXT An imperial Roman chamber after a feast. Emperor Claudius sits on the edge of a couch, extending a gold drinking cup toward his food taster. The young man waits at the doorway. The emperor summons him through eye contact and the offered cup. The taster understands, hesitates, then approaches. The sequence ends with the cup still in the emperor’s hand, before the taster accepts or drinks. ACTIVE REFERENCES @ image1 — Emperor full-body front. Identity, build, ivory toga with purple and gold trim, sandals, gold laurel crown, and jewellery. @ image2 — Emperor left profile. Nose, chin, neck, hairline, and crown placement. @ image3 — Emperor three-quarter. Facial identity, eyes, cheeks, thinning grey hair, and gold shoulder brooch. All three references describe ONE emperor. @ image4 — Taster full-body front. Identity, lean adult build, cream tunic, brown belt, and sandals. @ image5 — Taster left profile. Nose, brow, jaw, ear, and short dark hair. @ image6 — Taster three-quarter. Facial identity, eyes, skin texture, and facial proportions. All three references describe ONE taster. @ image7 — Chamber reference. Architecture, couch, reclining guests, doorway, floor dressing, lighting direction, and wide composition. Character references establish appearance. The chamber reference establishes the setting. The written instructions establish performance and movement. LOCATION AND BLOCKING Emperor seated on the LEFT, taster standing at the doorway on the RIGHT. A stretch of stone floor separates them. Behind the emperor, adult guests recline beneath burgundy and gold textiles. Overturned vessels, scattered food, petals, and spilled wine remain on the floor. Daylight enters through the doorway, crossing diagonally into the dark chamber. Tall fluted columns divide the background. The emperor holds ONE gold cup upright in his extended RIGHT HAND. The taster approaches from right to left through the available floor space. Maintain connecting eyelines and consistent screen direction across all cuts. FOUR SHOTS, 12 SECONDS TOTAL SHOT ONE — 0.0–3.0 SECONDS CLOSE-UP ON THE TASTER. 29° portrait field of view. Head and shoulders beside the doorway. Daylight catches his right ear and the edge of his head; the side facing the chamber remains shaded. He senses the emperor’s attention. His EYES move toward screen left first. His HEAD follows by a small amount. His shoulders remain settled. His gaze finds the emperor. His lower eyelids tighten slightly. His lips part for a quiet breath, then settle. His jaw firms as he understands the instruction. Hold on that recognition. PERFORMANCE ORDER: EYES SHIFT → HEAD FOLLOWS → GAZE SETTLES → BREATH CHANGES. The hesitation is brief and private. He is accustomed to obeying, but still needs a moment to prepare himself. 3.0 SECONDS — HARD CUT. SHOT TWO — 3.0–5.5 SECONDS OVER THE EMPEROR’S SHOULDER, ALONG HIS EXTENDED ARM. 29° field of view. The emperor’s head, laurel crown, shoulder, and toga occupy the left foreground. His arm leads toward the gold cup near the centre. The taster stands beyond the cup in the bright doorway. Focus favours the cup and the hand holding it. The taster remains recognisable but softened by depth and backlight. The emperor’s arm is ALREADY EXTENDED when the shot begins He waits. His fingers maintain their grip. Small adjustments in his wrist convey the vessel’s weight. The gold rim catches daylight. His breathing moves the toga faintly at his shoulder. The taster watches from the threshold. Let the held gesture communicate the command. The emperor expects the distance between them to be crossed for him. 5.5 SECONDS — HARD CUT. SHOT THREE — 5.5–9.0 SECONDS WIDE VIEW OF THE CHAMBER. 63° field of view. Match the spatial arrangement of @ image7: emperor left, taster right, cup extended between them, daylight crossing the room. Hold briefly at the threshold. The taster shifts his weight and begins walking toward the emperor, moving RIGHT TO LEFT at approximately 2 km/h. Each planted foot accepts his weight before the next step. His arms move slightly at his sides. The tunic shifts around his thighs while the belt stays at his waist. He follows the available path between the scattered objects. His attention stays on the emperor and cup. As he leaves the doorway, his face moves into shade while his shoulder and tunic retain an edge of daylight. The emperor remains seated, arm extended, eyes following him. The guests behind the emperor remain at rest. Subtle breathing keeps them present in the background. The camera holds its position. The taster’s approach supplies the movement. Cut while he is still approaching. 9.0 SECONDS — HARD CUT SHOT FOUR — 9.0–12.0 SECONDS CLOSE-UP ON THE EMPEROR. 18° portrait field of view. His face occupies the left and centre. His hand and gold cup remain extended in the nearer right foreground, slightly out of focus. His eyes look upward toward screen right, following the approaching taster. The pupils move first. His chin follows by a fraction. The corners of his mouth gather into a faint suggestion of satisfaction. He has received the response he expected. As the taster approaches the light path, a soft shadow passes across part of the emperor’s face. Reflected light keeps his eyes readable. Hold his raised eyeline and the offered cup through the ending. PERFORMANCE LOCK: EYES FOLLOW THE APPROACH → CHIN LIFTS SLIGHTLY → EXPRESSION SETTLES → CUP REMAINS OFFERED. LIGHTING AND MATERIALS Daylight from the right-hand doorway remains the dominant source. Approximately 5600K white balance. Cool light describes the stone and suspended dust; gold surfaces return warmer reflections. Preserve detail in shaded faces and fabric. The emperor’s toga has heavy folds. The taster’s linen moves with his steps. Sandals make grounded contact with stone. The cup retains its shape, size, engraving, and upright position. Floor objects stay in place. STYLE AND AUDIO Photoreal period drama. Natural skin texture, woven cloth, worn stone, fine grain, gentle highlight roll-off. Restrained performances and steady camera work. 12 seconds, 24 fps, approximately 2.35:1. Real-time movement. Hard cuts at 3.0, 5.5, and 9.0 seconds. Soundtrack consists entirely of diegetic ambience and foley. Both characters communicate silently. <quiet chamber ambience, distant exterior air, restrained breathing, linen movement, toga fabric settling, measured sandal steps on stone> FINAL CONTINUITY LOCK Same two characters, same chamber, same costumes, same light source. Emperor seated throughout. One cup in his right hand throughout.

以下是上述视频的完整 Seedance 2.5 提示词: SCENE CONTEXT 一场盛宴后的帝国罗马内室。克劳狄乌斯皇帝坐在卧榻边缘,向他的食物试毒官伸出一只金色酒杯。年轻人站在门口等候。皇帝通过眼神和递出的酒杯召唤他。试毒官会意,犹豫片刻,然后走近。 序列结束时,酒杯仍握在皇帝手中,试毒官尚未接受或饮用。 ACTIVE REFERENCES @ image1 — Emperor full-body front. Identity, build, ivory toga with purple and gold trim, sandals, gold laurel crown, and jewellery. @ image2 — Emperor left profile. Nose, chin, neck, hairline, and crown placement. @ image3 — Emperor three-quarter. Facial identity, eyes, cheeks, thinning grey hair, and gold shoulder brooch. All three references describe ONE emperor. @ image4 — Taster full-body front. Identity, lean adult build, cream tunic, brown belt, and sandals. @ image5 — Taster left profile. Nose, brow, jaw, ear, and short dark hair. @ image6 — Taster three-quarter. Facial identity, eyes, skin texture, and facial proportions. All three references describe ONE taster. @ image7 — Chamber reference. Architecture, couch, reclining guests, doorway, floor dressing, lighting direction, and wide composition. Character references establish appearance. The chamber reference establishes the setting. The written instructions establish performance and movement. LOCATION AND BLOCKING 皇帝坐在左侧,试毒官站在右侧的门口处。一段石质地板将两人分开。 皇帝身后,成年宾客斜倚在酒红色与金色织物之下。地面上残留着翻倒的器皿、散落的食物、花瓣和泼洒的葡萄酒。 日光从门口射入,斜向穿过昏暗的内室。高大的凹槽柱将背景分隔开。 皇帝用伸出的右手竖直握着一只金杯。试毒官从右向左穿过可用的地面空间走近。 在所有镜头切换中保持连接的视线和一致的屏幕方向。 FOUR SHOTS, 12 SECONDS TOTAL SHOT ONE — 0.0–3.0 SECONDS CLOSE-UP ON THE TASTER. 29° portrait field of view. Head and shoulders beside the doorway. Daylight catches his right ear and the edge of his head; the side facing the chamber remains shaded. He senses the emperor’s attention. His EYES move toward screen left first. His HEAD follows by a small amount. His shoulders remain settled. His gaze finds the emperor. His lower eyelids tighten slightly. His lips part for a quiet breath, then settle. His jaw firms as he understands the instruction. Hold on that recognition. PERFORMANCE ORDER: EYES SHIFT → HEAD FOLLOWS → GAZE SETTLES → BREATH CHANGES. The hesitation is brief and private. He is accustomed to obeying, but still needs a moment to prepare himself. 3.0 SECONDS — HARD CUT. SHOT TWO — 3.0–5.5 SECONDS OVER THE EMPEROR’S SHOULDER, ALONG HIS EXTENDED ARM. 29° field of view. The emperor’s head, laurel crown, shoulder, and toga occupy the left foreground. His arm leads toward the gold cup near the centre. The taster stands beyond the cup in the bright doorway. Focus favours the cup and the hand holding it. The taster remains recognisable but softened by depth and backlight. The emperor’s arm is ALREADY EXTENDED when the shot begins He waits. His fingers maintain their grip. Small adjustments in his wrist convey the vessel’s weight. The gold rim catches daylight. His breathing moves the toga faintly at his shoulder. The taster watches from the threshold. Let the held gesture communicate the command. The emperor expects the distance between them to be crossed for him. 5.5 SECONDS — HARD CUT. SHOT THREE — 5.5–9.0 SECONDS WIDE VIEW OF THE CHAMBER. 63° field of view. Match the spatial arrangement of @ image7: emperor left, taster right, cup extended between them, daylight crossing the room. Hold briefly at the threshold. The taster shifts his weight and begins walking toward the emperor, moving RIGHT TO LEFT at approximately 2 km/h. Each planted foot accepts his weight before the next step. His arms move slightly at his sides. The tunic shifts around his thighs while the belt stays at his waist. He follows the available path between the scattered objects. His attention stays on the emperor and cup. As he leaves the doorway, his face moves into shade while his shoulder and tunic retain an edge of daylight. The emperor remains seated, arm extended, eyes following him. The guests behind the emperor remain at rest. Subtle breathing keeps them present in the background. The camera holds its position. The taster’s approach supplies the movement. Cut while he is still approaching. 9.0 SECONDS — HARD CUT SHOT FOUR — 9.0–12.0 SECONDS CLOSE-UP ON THE EMPEROR. 18° portrait field of view. His face occupies the left and centre. His hand and gold cup remain extended in the nearer right foreground, slightly out of focus. His eyes look upward toward screen right, following the approaching taster. The pupils move first. His chin follows by a fraction. The corners of his mouth gather into a faint suggestion of satisfaction. He has received the response he expected. As the taster approaches the light path, a soft shadow passes across part of the emperor’s face. Reflected light keeps his eyes readable. Hold his raised eyeline and the offered cup through the ending. PERFORMANCE LOCK: EYES FOLLOW THE APPROACH → CHIN LIFTS SLIGHTLY → EXPRESSION SETTLES → CUP REMAINS OFFERED. LIGHTING AND MATERIALS Daylight from the right-hand doorway remains the dominant source. Approximately 5600K white balance. Cool light describes the stone and suspended dust; gold surfaces return warmer reflections. Preserve detail in shaded faces and fabric. The emperor’s toga has heavy folds. The taster’s linen moves with his steps. Sandals make grounded contact with stone. The cup retains its shape, size, engraving, and upright position. Floor objects stay in place. STYLE AND AUDIO Photoreal period drama. Natural skin texture, woven cloth, worn stone, fine grain, gentle highlight roll-off. Restrained performances and steady camera work. 12 seconds, 24 fps, approximately 2.35:1. Real-time movement. Hard cuts at 3.0, 5.5, and 9.0 seconds. Soundtrack consists entirely of diegetic ambience and foley. Both characters communicate silently. <quiet chamber ambience, distant exterior air, restrained breathing, linen movement, toga fabric settling, measured sandal steps on stone> FINAL CONTINUITY LOCK Same two characters, same chamber, same costumes, same light source. Emperor seated throughout. One cup in his right hand throughout.