Seedance 2.5 提示词与角色设定表

Seedance 2. 5 Prompt and character sheets global_rule: All audio is native to the scene and generated in-model. No external music, no added score, no laugh track, no second voice. Every sound is diegetic. [Generation Goal] Generate one continuous 30-second comedy scene cut into six shots. The central subjects are four meme characters attending a group therapy session together: DOGE, a photoreal shiba inu with tan, white and black fur and a curled tail; PEPE, a green anthropomorphic frog with large expressive eyes wearing a blue long-sleeved shirt, brown shorts and brown shoes; WOJAK, a bald sad man in a loose white t-shirt, white pants and white sneakers with a permanently downturned mouth; and BEAR, a tan cartoon-style bear with a large black bulbous nose wearing a gray crewneck sweater, blue jeans with rolled cuffs and red sneakers. The scene: a quiet, awkward support-group session in a shabby community center where nothing gets resolved and everyone is exactly who they are. Nobody sings, nobody dances, nobody stands up. [Reference Material Roles] [IMAGE REFERENCE 1] defines ONLY DOGE: the shiba inu's face, tan-white-and-black double coat, curled tail and proportions. Do not use its gray studio background, grid lines, labels, standing pose or four-view character-sheet layout. No turnaround, no panels, exactly one copy of him. [IMAGE REFERENCE 2] defines ONLY PEPE: the frog's head, large eyes, wide mouth, blue long-sleeved shirt, brown shorts and brown shoes. Do not use its gray studio background, guide lines, labels or four-view layout. Exactly one copy of him. [IMAGE REFERENCE 3] defines ONLY WOJAK: the bald head, sad sunken eyes with heavy brows, downturned mouth, thin slumped build, white t-shirt, white pants and white sneakers. Do not use its gray background, dashed lines, labels or four-view layout. Exactly one copy of him. [IMAGE REFERENCE 4] defines ONLY BEAR: the tan fur, big black bulbous nose, small ears, gray crewneck sweater with ribbed cuffs and hem, light blue jeans with rolled cuffs and red sneakers with white soles. Do not use its gray background, guide lines, labels or four-view layout. Exactly one copy of him. All four characters are present in the scene from the first frame. All speech, music and sound effects are generated inside the model as described in [Audio]. [Audio] A calm, kind off-screen therapist — a woman's voice, gentle and professional — speaks a few quiet lines from just outside the frame. PEPE speaks with a croaky, emotional, theatrical voice, sniffling between words. WOJAK speaks in a flat, monotone, defeated mumble, barely moving his mouth. BEAR speaks with a warm, relaxed, slightly smug voice. DOGE does not speak — his only sound is a single quiet "wow." at the very end. A cheap wall radio plays soft, low, muffled jazz muzak in the background of every shot. Room tone: fluorescent light hum, a ticking wall clock, folding chairs creaking, tissue dabbing, BEAR sipping tea from a ceramic mug. Motions and mouths match the spoken lines exactly. No music beyond the radio, no second therapist voices, no laughing track. [Subjects and Relationships] The four are strangers forced into a circle of folding chairs. PEPE is openly, theatrically miserable and uses the group as therapy. WOJAK is quietly, existentially defeated and says almost nothing. DOGE sits upright on his folding chair, judging everyone with a raised skeptical eyebrow and a side-eye stare, saying nothing. BEAR is completely content, hands in his sweater, sipping tea, oblivious to the misery around him. The therapist is never seen and never appears in frame. [Scene] A shabby community-center group therapy room in the afternoon. Beige walls with scuffed baseboards, a linoleum floor, four plain folding chairs in a rough circle, a box of tissues in the middle, a water cooler, a wall clock, a cheap wall radio, a desk lamp glowing warm, and a window with blinds letting in soft afternoon light. The room is quiet, institutional and slightly sad. Nobody moves from their chair at any point. [Event Script] 0 to 5 seconds: wide establishing shot of the room: the four characters in the circle — PEPE hunched forward dabbing his eyes with a tissue, WOJAK slumped staring at the floor, DOGE sitting bolt upright on his chair with the raised-brow side-eye aimed at the group, BEAR relaxed, hands in his sweater pocket, waiting. The radio plays low jazz. The therapist's voice, gentle: "Welcome. Who would like to go first?" 5 to 10 seconds: hard cut to a close-up of PEPE, big frog tears rolling, his voice croaking with emotion as he gestures wildly: "Everyone used to think I was funny… now I can't even get a reaction." He blows his nose into the tissue. "Feels bad, man." 10 to 15 seconds: hard cut to a close-up of WOJAK, staring straight ahead, monotone and flat: "My therapist quit. After one session. With me." A long beat. "So I came here." He looks at the ceiling. "It is what it is." 15 to 20 seconds: hard cut to a close-up of DOGE. He says nothing. He holds the raised skeptical eyebrow and side-eye stare directly at the group — then slowly at the camera — for the entire block, ears alert, one slow blink, utterly judgmental silence. 20 to 25 seconds: hard cut to a close-up of BEAR, warm and relaxed, lifting his mug for a sip: "I'm doing great, actually. This group is lovely." Beat. "Does anybody want to talk about their feelings?" He takes a satisfied sip and settles back, hands back in his pockets. "No? More tea for me." 25 to 30 seconds: hard cut back to a wide shot with a slow push-in: the therapist, off-screen: "We're out of time. You're all valid." PEPE lets out one more theatrical sob. WOJAK stares at the ceiling, barely audible: "It is what it is." BEAR scoops the entire tissue box off the floor and tucks it under his arm like a prize. DOGE, still side-eyeing the group, quietly says: "wow." End state: the four of them sitting in silence, DOGE's side-eye the last thing in frame. [Camera] Every shot is operated by a real person with a shoulder-mounted camera: organic sway and micro-drift, small reframing corrections, a slow push-in in the final shot, slow zooms within shots. Shots run four to five seconds. Hard cuts only, no dissolves or fades. No impossible macro shots, no crane or drone moves, no camera crossing the circle. [Lighting and Style] Soft afternoon light through the blinds mixing with a warm desk-lamp glow and cool fluorescent overheads. Muted institutional palette: beige, green-grey, warm tungsten. Faces read clearly, nobody falls into silhouette. Fine 35mm film grain, gentle bloom on the window light, subtle chromatic aberration, slight softness, muted warm color. [Physics] Everyone stays seated the entire time — nothing stands up, nothing tips over. PEPE's tears bead and roll naturally without flooding his face. WOJAK's body stays slumped and still, only his mouth and eyes moving. BEAR's mug has real weight and his sip is real. DOGE's fur texture, ears and curled tail stay constant. All four faces, shapes and outfits keep a constant stable shape at all times — no stretching, warping, melting or blending into each other or the background. Nobody's hands or arms clip through another character or the chair. Mouths match the spoken lines exactly, syllable by syllable. The radio hum, clock ticking and chair creaks stay continuous across shots. [Maintain Consistency] Keep the room, the four chairs, the tissue box, the window light and all four characters' designs identical across all six shots — DOGE exactly as in reference 1, PEPE as in reference 2, WOJAK as in reference 3, BEAR as in reference 4. One continuous group therapy room throughout. [Locks] Exactly one copy of each character, no duplicates, no split panels, no studio backdrop. Only these four characters and the off-screen therapist voice. The therapist never appears on camera. Nobody sings, dances, or raises their voice. No on-screen text, captions, readable words, poster writing, brand names or logos anywhere — the posters on the wall are blank. No phones, no laptops. No animals other than DOGE. No birds, no insects. No one leaves a chair, no one enters the frame after the first shot. Everyone stays fully clothed. No cookware, no pans.

Seedance 2.5 提示词与角色设定表 global_rule: 所有音频均为场景原生,并在模型内生成。不使用外部音乐、不添加配乐、不加笑声轨、不使用第二声道。每一个声音都属于场景内声源(diegetic)。 [Generation Goal] 生成一段连续的 30 秒喜剧场景,切成 6 个镜头。中心主体是四个表情包角色一起参加团体治疗:DOGE,一只照片级写实的柴犬,毛发为棕、白、黑三色,尾巴卷曲;PEPE,一只绿色的拟人化青蛙,眼睛大而有表现力,身穿蓝色长袖衬衫、棕色短裤和棕色鞋子;WOJAK,一个光头的悲伤男人,穿着宽松的白色 T 恤、白色裤子和白色运动鞋,嘴角永远下弯;以及 BEAR,一只棕色的卡通风格熊,长着又大又圆又黑的鼻子,身穿灰色圆领毛衣、卷起裤脚的蓝色牛仔裤和红色运动鞋。场景:在一个破旧的社区中心里,一场安静、尴尬的互助小组治疗会议,什么问题都没有解决,每个人都完全是他们本来的样子。没有人唱歌,没有人跳舞,没有人站起来。 [Reference Material Roles] [IMAGE REFERENCE 1] 仅定义 DOGE:柴犬的脸、棕白黑三色双层被毛、卷起的尾巴以及身体比例。不得使用其灰色摄影棚背景、网格线、标签、站立姿势或四视图角色设定表布局。不要转身图,不要分格面板,只有一只他。 [IMAGE REFERENCE 2] 仅定义 PEPE:青蛙的头、大眼睛、大嘴巴、蓝色长袖衬衫、棕色短裤和棕色鞋子。不得使用其灰色摄影棚背景、参考线、标签或四视图布局。只有一只他。 [IMAGE REFERENCE 3] 仅定义 WOJAK:光头、悲伤凹陷的眼睛与浓重的眉毛、下弯的嘴角、瘦削颓丧的身形、白色 T 恤、白色裤子和白色运动鞋。不得使用其灰色背景、虚线、标签或四视图布局。只有一只他。 [IMAGE REFERENCE 4] 仅定义 BEAR:棕色毛发、又大又圆又黑的鼻子、小耳朵、灰色圆领毛衣(带有罗纹袖口和下摆)、浅蓝色牛仔裤(卷起裤脚)、白底的红色运动鞋。不得使用其灰色背景、参考线、标签或四视图布局。只有一只他。 四个角色从第一帧起都在场景中。所有对白、音乐和音效都按照 [Audio] 中的描述在模型内部生成。 [Audio] 一位平静、亲切的画外治疗师——一位女性的声音,温柔而专业——从画面外轻声说几句话。PEPE 用一种沙哑、情绪化、戏剧化的声音说话,词与词之间抽鼻子。WOJAK 用平淡、单调、颓丧的嘟囔说话,嘴巴几乎不动。BEAR 用温暖、放松、略带得意的嗓音说话。DOGE 不说话——他唯一的声音是在最后发出一声轻轻的 "wow."。一面廉价的壁挂收音机在每个镜头的背景里播放着轻柔、低沉、模糊的爵士背景音乐。环境声:荧光灯的嗡嗡声、墙上的挂钟滴答声、折叠椅的吱呀声、擦纸巾的声音、BEAR 用陶瓷马克杯喝茶的声音。动作和嘴型必须与对白完全一致。除了收音机之外没有其他音乐,没有第二个治疗师的声音,没有笑声轨。 [Subjects and Relationships] 四个人是陌生人,被迫围坐成一圈折叠椅。PEPE 公开地、戏剧化地痛苦,并把小组当成自己的治疗。WOJAK 安静地、在存在主义层面上被打垮,几乎什么都不说。DOGE 端坐在他的折叠椅上,挑起一根怀疑的眉毛,用斜眼扫视所有人,一言不发。BEAR 完全满足,双手插在毛衣里,喝着茶,对周围的痛苦毫不察觉。治疗师永远不被看到,也从不出现在画面中。 [Scene] 下午时分一间破旧的社区中心团体治疗室。米色墙壁配磨损的踢脚线,亚麻油毡地板,四把普通的折叠椅围成一个不太规则的圆圈,中间放着一盒纸巾,还有一个饮水机、一面挂钟、一台廉价的壁挂收音机、一盏散发着暖光的台灯,以及一扇带百叶窗的窗户,透进柔和的午后阳光。房间安静、有机构感、略带忧伤。任何人都不会在任何时刻离开他们的椅子。 [Event Script] 0 到 5 秒:房间的广角建立镜头:四名角色围成圈——PEPE 弯腰向前用纸巾擦眼睛,WOJAK 颓然瘫坐盯着地板,DOGE 挺直坐在椅子上,用挑眉的斜眼扫视小组,BEAR 放松,双手插在毛衣口袋里,等待着。收音机播放低沉的爵士乐。治疗师温柔的声音:"Welcome. Who would like to go first?" 5 到 10 秒:硬切到 PEPE 的特写,大颗的青蛙眼泪滚落,他的声音因情绪而沙哑,同时疯狂地打手势:"Everyone used to think I was funny… now I can't even get a reaction." 他用纸巾擤了一下鼻子。"Feels bad, man." 10 到 15 秒:硬切到 WOJAK 的特写,直盯前方,单调而平淡地说:"My therapist quit. After one session. With me." 一个长长的停顿。"So I came here." 他看向天花板。"It is what it is." 15 到 20 秒:硬切到 DOGE 的特写。他不说话。在整个镜头里,他保持挑起的怀疑眉毛和斜眼注视,先是直盯小组——然后慢慢转向镜头——耳朵警觉,缓慢地眨一下眼,一片完全审判性的沉默。 20 到 25 秒:硬切到 BEAR 的特写,温暖而放松,举起马克杯啜饮一口:"I'm doing great, actually. This group is lovely." 停顿。"Does anybody want to talk about their feelings?" 他满意地啜了一口,然后靠回去,双手重新插回口袋。"No? More tea for me." 25 到 30 秒:硬切回一个带缓慢推进的广角镜头:画外治疗师:"We're out of time. You're all valid." PEPE 又发出一声戏剧化的啜泣。WOJAK 盯着天花板,声音几乎听不见:"It is what it is." BEAR 把整盒纸巾从地上抄起来,像奖品一样夹在腋下。DOGE 仍然斜眼扫视着小组,轻声说:"wow." 结束状态:四人沉默地坐着,DOGE 的斜眼是画面中最后留下的内容。 [Camera] 每个镜头都由一个真人用肩扛式摄影机操作:有机的晃动和微漂移、小幅度的重新构图修正、最后一个镜头的缓慢推进、镜头内的缓慢变焦。镜头时长为四到五秒。只用硬切,不用叠化或淡入淡出。没有不可能的微距镜头、没有摇臂或无人机运动、没有摄影机越过圆圈。 [Lighting and Style] 透过百叶窗的柔和午后光线,与温暖的台灯光晕和冷调的顶部荧光灯混合。柔和的机构感配色:米色、绿灰色、暖钨丝色。面部清晰可读,没有人隐没在剪影中。细腻的 35mm 胶片颗粒,窗光上有柔和的光晕,细微的色差,略带柔焦,色彩柔和偏暖。 [Physics] 所有人都整段时间都坐着——没有人站起来,没有东西倾倒。PEPE 的眼泪自然地凝结并滚落,不会淹没他的脸。WOJAK 的身体保持颓丧不动,只有嘴和眼睛在动。BEAR 的马克杯有真实的重量,他的啜饮是真实的。DOGE 的毛发质感、耳朵和卷起的尾巴保持恒定。四个角色的脸、身形和服装始终保持恒定稳定的形状——不会拉伸、扭曲、融化或彼此融合或与背景融合。任何人的手或手臂都不会穿模到另一个角色或椅子。嘴型与对白逐音节完全一致。收音机的嗡嗡声、钟的滴答声和椅子的吱呀声在各个镜头之间保持连续。 [Maintain Consistency] 在所有六个镜头中,房间、四把椅子、纸巾盒、窗光以及四个角色的设计保持完全一致——DOGE 完全按照参考 1,PEPE 完全按照参考 2,WOJAK 完全按照参考 3,BEAR 完全按照参考 4。整段场景是同一个连续的团体治疗室。 [Locks] 每个角色恰好各出现一个,不能重复,不能分格面板,不能摄影棚背景。只有这四个角色和画外治疗师的声音。治疗师从不出现在画面上。没有人唱歌、跳舞或提高嗓门。画面上没有任何字幕、说明文字、可读文字、海报字样、品牌名或标志——墙上的海报是空白的。没有手机,没有笔记本电脑。除了 DOGE 外不允许有其他动物。没有鸟,没有昆虫。第一个镜头之后,没有人离开椅子,也无人进入画面。所有人都衣着完整。没有炊具,没有平底锅。