制作一份超高端、高度精细的 VERTICAL 9:16 广告分镜 / 导演阐述表,用于一则虚构的 15 秒 NIKE AIR MAX…
分享链接 · https://openimages.ajiang.me/p/2096116730104050107/

camera_lens · macrocolor_palette · dark-moodycomposition · multi-panellighting · studio-lightquality_flags · embedded-textquality_flags · multi-panel-layout
提示词(原文,逐字保留)
"Create an ultra-premium, highly detailed VERTICAL 9:16 advertising storyboard / director’s treatment sheet for a fictional 15-second NIKE AIR MAX footwear commercial titled:
“AIR IN MOTION”
IMPORTANT:
Use the professional storyboard format of a high-end commercial production board:
- 8 numbered shots
- 2 columns × 4 rows
- cinematic finished keyframe on top of every module
- simple hand-drawn storyboard sketch below
- technical SHOTLIST table beside the sketch
- exact timing
- camera movement
- lens
- product action
- environment
- VFX
- lighting
- sound
- transition
The overall presentation should feel like a real director + cinematographer + VFX supervisor pre-production board.
Do NOT recreate beverage-ad imagery.
No liquid splashes.
No condensation.
No carbonation.
No ice.
No orbiting beverage ribbons.
No bottle/can compositions.
Build an entirely new visual system around:
AIR,
PRESSURE,
RUBBER,
FABRIC,
DUST,
SPEED,
WEIGHTLESSNESS,
AND IMPACT.
--------------------------------------------------
CANVAS / BOARD LAYOUT
--------------------------------------------------
VERTICAL 9:16 STORYBOARD SHEET.
2 COLUMNS × 4 ROWS.
TOTAL:
8 SHOT MODULES.
Each module:
TOP 58%:
finished photorealistic cinematic advertising keyframe.
BOTTOM 42%:
split into two sections.
LEFT:
simple monochrome storyboard sketch with:
camera arrows,
product movement,
impact direction,
motion notes.
RIGHT:
clean technical SHOTLIST table.
Each panel header:
LEFT:
two-digit shot number inside a small vivid orange-red block.
CENTER:
shot title in bold condensed white uppercase typography.
RIGHT:
exact time range.
Overall board background:
deep charcoal / near black.
Panel separators:
thin cool-grey lines.
Professional commercial storyboard typography.
Clean.
Technical.
Expensive-looking.
--------------------------------------------------
PRODUCT LOCK
--------------------------------------------------
HERO PRODUCT:
One premium NIKE AIR MAX sneaker.
Visual design:
sleek athletic low-top silhouette,
white engineered mesh upper,
black structural overlays,
small black Nike Swoosh,
warm orange-red accent details,
large transparent visible Air cushioning unit in heel,
white sculpted foam midsole,
black rubber outsole.
If a product reference image is supplied,
MATCH THE REFERENCE EXACTLY.
Maintain identical:
shape,
laces,
sole,
Air unit,
Swoosh placement,
panel construction,
colors,
materials,
proportions
throughout all eight shots.
Never redesign the shoe.
Only ONE primary shoe unless a paired shoe is explicitly needed in the final packshot.
--------------------------------------------------
MASTER VISUAL STYLE
--------------------------------------------------
Premium global sportswear commercial.
Ultra-photorealistic product cinematography.
Hollywood-quality lighting.
Macro material photography.
High-speed camera aesthetics.
Realistic engineered mesh.
Tactile woven fibers.
Detailed rubber texture.
Transparent Air unit.
Fine airborne dust.
Pressure waves.
Heat-like air refraction.
Slow-motion impact.
Black architectural studio environment.
Warm directional sunlight.
Hard white studio highlights.
Orange-red accent illumination.
No fantasy magic.
No glowing supernatural powers.
The “air” theme should be represented through:
physical compression,
dust displacement,
fabric reaction,
pressure distortion,
and suspended particles.
--------------------------------------------------
MASTER COLOR SYSTEM
--------------------------------------------------
dominant:
deep graphite black
product:
clean white + black
accent:
warm orange-red
highlights:
bright neutral white
atmosphere:
sand beige / fine grey dust
Air unit:
transparent clear material with realistic refraction
--------------------------------------------------
SHOT 01
“THE DROP”
00:00–00:01.5
--------------------------------------------------
CINEMATIC KEYFRAME:
Pure black architectural environment.
The Nike Air Max sneaker drops sole-first from darkness toward a matte concrete platform.
Freeze the shoe approximately 10 centimeters before contact.
A thin layer of dust on the platform begins moving outward BEFORE impact from air pressure beneath the descending sole.
Individual dust grains lift.
The shoe remains razor sharp.
Camera:
extreme low ground-level angle.
Perspective makes the outsole and heel Air unit feel powerful.
A narrow warm orange-red backlight cuts horizontally behind the shoe.
STORYBOARD SKETCH:
shoe descending,
large downward arrow,
platform underneath,
small outward dust arrows,
camera arrow pushing forward.
SHOTLIST:
SHOT TYPE: Extreme Low Product Impact
CAMERA: Fast Push-In
LENS: 28mm
PRODUCT: Vertical Descent
PRIMARY ACTION: Pre-Impact Hover
AIR: Pressure Displacement
DUST: Radial Outward Movement
VFX: Fine Particle Lift
LIGHTING: Orange Backline + White Rim
SOUND: Low Air Rush + Bass Rise
TRANSITION: Near Impact → Heel Macro
--------------------------------------------------
SHOT 02
“COMPRESSION”
00:01.5–00:03.0
--------------------------------------------------
CINEMATIC KEYFRAME:
Extreme macro of the transparent Air cushioning unit in the heel.
The shoe finally lands.
The transparent chamber compresses visibly but realistically.
The foam midsole flexes.
Rubber outsole grips the concrete.
Dust shoots outward from underneath.
Camera is extremely close,
showing:
transparent material,
tiny surface scratches,
foam texture,
rubber tread,
internal refraction.
No impossible deformation.
The Air unit rebounds smoothly.
STORYBOARD SKETCH:
heel cross-section,
downward pressure arrow,
compressed Air chamber,
outward dust arrows,
small rebound arrow upward.
SHOTLIST:
SHOT TYPE: Extreme Heel Macro
CAMERA: Locked + Micro Push
LENS: 100mm Macro
PRODUCT: Heel / Air Unit
PRIMARY ACTION: Compression + Rebound
SOLE: Controlled Flex
AIR: Internal Compression
DUST: Ground Burst
VFX: Pressure Distortion
LIGHTING: Hard White Specular + Orange Edge
SOUND: Deep Thump + Rubber Grip + Air Pulse
TRANSITION: Rebound → Fiber Macro
--------------------------------------------------
SHOT 03
“BUILT TO BREATHE”
00:03.0–00:04.8
--------------------------------------------------
CINEMATIC KEYFRAME:
Extreme macro travelling across the engineered mesh upper.
Individual woven fibers are clearly visible.
A pressure pulse moves beneath the material.
The mesh expands microscopically and settles.
Fine dust particles sitting on top of the fibers lift and drift away.
Camera travels along the upper toward the Swoosh.
A hard white highlight travels across the surface.
No full shoe visible.
Focus only on material craftsmanship.
STORYBOARD SKETCH:
curved shoe upper,
mesh grid,
small outward air arrows,
camera tracking arrow left-to-right.
SHOTLIST:
SHOT TYPE: Material Macro Track
CAMERA: Slow Lateral Glide
LENS: 100mm Macro
PRODUCT: Mesh Upper
PRIMARY ACTION: Fabric Breathes
FABRIC: Micro Expansion
AIR: Internal Pulse
DUST: Fine Particle Lift
VFX: Shallow Refraction / Fiber Movement
LIGHTING: Moving White Highlight
SOUND: Textile Stretch + Soft Air Exhale
TRANSITION: Swoosh Edge → Motion Streak
--------------------------------------------------
SHOT 04
“ACCELERATION”
00:04.8–00:06.7
--------------------------------------------------
CINEMATIC KEYFRAME:
The full shoe rockets horizontally through a dark architectural tunnel.
No human foot.
Product-only controlled commercial animation.
Concrete walls streak past.
The sneaker remains perfectly stable and sharply lit.
Instead of neon trails,
the passage of the shoe physically pulls:
dust,
paper-thin debris,
tiny grit particles
into its wake.
Air compression around the toe creates subtle realistic atmospheric distortion.
Camera tracks side-by-side at very high speed.
Strong parallax.
STORYBOARD SKETCH:
shoe moving right,
large horizontal arrow,
debris behind,
parallel camera arrow,
tunnel perspective lines.
SHOTLIST:
SHOT TYPE: High-Speed Side Track
CAMERA: Parallel Tracking
LENS: 35mm
PRODUCT: Fast Horizontal Motion
PRIMARY ACTION: Acceleration
AIR: Toe Pressure Distortion
DUST: Wake Trail
ENVIRONMENT: Concrete Tunnel
VFX: Particle Drag + Heat-Haze-Like Refraction
LIGHTING: Repeating Overhead White Bars
SOUND: Fast Air Tear + Deep Rhythm Pulse
TRANSITION: Speed Blur → Suspended Freeze
--------------------------------------------------
SHOT 05
“ZERO WEIGHT”
00:06.7–00:08.5
--------------------------------------------------
CINEMATIC KEYFRAME:
TOTAL MOTION CHANGE.
The sneaker floats weightlessly in a vast black studio.
Dust particles and tiny pieces of grit remain frozen around it.
The shoe rotates very slowly in three-quarter profile.
Laces float slightly upward.
One lace tip gently moves.
Fabric reacts subtly as though in low gravity.
The transparent Air unit catches a clean white highlight.
A single orange-red beam passes behind the shoe.
Composition:
minimal,
quiet,
luxurious.
STORYBOARD SKETCH:
shoe floating center,
small curved rotation arrow,
suspended particle dots,
laces marked upward.
SHOTLIST:
SHOT TYPE: Weightless Hero Profile
CAMERA: Slow 120° Orbit
LENS: 55mm
PRODUCT: Floating / Slow Rotation
PRIMARY ACTION: Suspension
LACES: Gentle Secondary Motion
DUST: Frozen Around Product
AIR: Near Stillness
VFX: Micro Particles
LIGHTING: Orange Back Beam + Silver-White Rim
SOUND: Music Drops + Soft Air Tone
TRANSITION: Lace Movement → Sole Rotation
--------------------------------------------------
SHOT 06
“THE FLEX”
00:08.5–00:10.5
--------------------------------------------------
CINEMATIC KEYFRAME:
Camera swings beneath the floating shoe.
The outsole fills the frame.
The sneaker bends naturally through the forefoot.
Not exaggerated.
Show:
deep rubber traction pattern,
flex grooves,
foam structure,
material transition,
heel cushioning.
As the shoe flexes,
a thin sheet of airborne dust above the outsole splits cleanly along the flex line.
The shoe snaps gently back to its natural shape.
Camera performs a controlled under-product arc.
STORYBOARD SKETCH:
bottom-view shoe,
curved flex arrow,
camera orbit arrow underneath,
dust line splitting.
SHOTLIST:
SHOT TYPE: Under-Sole Product Arc
CAMERA: Low Counter-Orbit
LENS: 40mm
PRODUCT: Outsole Dominant
PRIMARY ACTION: Controlled Flex
RUBBER: Realistic Bend
AIR: Displaced Through Grooves
DUST: Split Plane
VFX: Fine Particle Separation
LIGHTING: White Edge + Orange Bounce
SOUND: Rubber Flex + Low Air Snap
TRANSITION: Flex Release → Downward Launch
--------------------------------------------------
SHOT 07
“IMPACT RELEASE”
00:10.5–00:12.7
--------------------------------------------------
CINEMATIC KEYFRAME:
The shoe launches downward from weightlessness.
It strikes a large square concrete pedestal.
At impact:
the Air unit compresses,
outsole spreads naturally,
and a MASSIVE perfectly physical dust shockwave explodes horizontally across the floor.
No magical glowing ring.
The wave consists entirely of:
dust,
sand,
fine grit,
air pressure,
and tiny concrete particles.
The shockwave races outward from the shoe.
Camera rapidly pulls backward to reveal scale.
The shoe remains planted and undamaged.
STORYBOARD SKETCH:
shoe landing center,
large downward arrow,
flat radial dust arrows,
camera pull-back arrow.
SHOTLIST:
SHOT TYPE: Wide Impact Hero
CAMERA: Rapid Pull-Back
LENS: 30mm
PRODUCT: Center Anchor
PRIMARY ACTION: Landing Impact
AIR UNIT: Compression + Rebound
DUST: Large Horizontal Shockwave
DEBRIS: Fine Controlled Grit
VFX: Pressure Wave + Atmospheric Distortion
LIGHTING: White Impact Flash + Orange Rim
SOUND: Massive Shoe Impact + Air Boom
TRANSITION: Dust Wave → Clean Hero Reveal
--------------------------------------------------
SHOT 08
“AIR IN MOTION”
00:12.7–00:15.0
--------------------------------------------------
CINEMATIC KEYFRAME:
Final premium packshot.
One Nike Air Max sneaker resting naturally on the concrete pedestal.
Dust settles slowly around it.
Transparent heel Air unit perfectly visible.
The product is pristine.
A soft orange-red light behind the shoe creates a narrow architectural glow.
White rim lighting defines:
toe,
laces,
Swoosh,
heel,
sole.
Background:
deep black architectural studio.
A few dust particles remain suspended in the light.
Camera performs an extremely slow final push-in.
Leave large clean negative space above or beside the sneaker.
Advertising copy:
AIR
IN MOTION.
Smaller line underneath:
NIKE AIR MAX
Keep text clean and minimal.
STORYBOARD SKETCH:
shoe resting on platform,
small camera push arrow,
settled dust,
simple text block beside it.
SHOTLIST:
SHOT TYPE: Final Product Packshot
CAMERA: Slow Hero Push
LENS: 65mm
PRODUCT: Perfect Three-Quarter Lock
PRIMARY ACTION: Dust Settling
AIR UNIT: Clear / Visible
DUST: Slow Fall
VFX: Minimal Atmospheric Particles
LIGHTING: Orange Architecture Glow + White Rim
SOUND: Dust Fall + Low Musical Resolve
TRANSITION: HOLD → END
--------------------------------------------------
BOTTOM MASTER PRODUCTION STRIP
--------------------------------------------------
At the bottom of the entire board add a clean technical strip.
TITLE:
NIKE AIR MAX — AIR IN MOTION
DURATION:
15 SECONDS
FORMAT:
9:16 VERTICAL
FRAME RATE:
24 FPS
MASTER CAMERA LANGUAGE:
Macro Material Cinema + High-Speed Product Motion
MOTION ARC:
DROP
→
COMPRESS
→
BREATHE
→
ACCELERATE
→
FLOAT
→
FLEX
→
IMPACT
→
HERO
PRIMARY MATERIALS:
ENGINEERED MESH
/
RUBBER
/
FOAM
/
TRANSPARENT AIR UNIT
/
DUST
/
CONCRETE
COLOR SYSTEM:
BLACK
/
WHITE
/
ORANGE-RED
/
CONCRETE GREY
AUDIO ARC:
AIR RISE
→
IMPACT
→
MATERIAL DETAIL
→
SPEED
→
SILENCE
→
FLEX
→
IMPACT BOOM
→
RESOLVE
--------------------------------------------------
STORYBOARD SKETCH STYLE
--------------------------------------------------
Every lower-left storyboard sketch should look like a director’s actual planning drawing.
Use:
white/light-grey sketch background,
black graphite or technical pencil lines,
rough shoe silhouette,
simple arrows,
camera-position symbols,
motion trails,
short hand-drawn labels.
The sketches should be deliberately simpler than the polished keyframes.
Do NOT make storyboard sketches photorealistic.
--------------------------------------------------
IMAGE QUALITY
--------------------------------------------------
The finished cinematic keyframes must look like frames from the SAME premium global sportswear campaign.
Consistent:
shoe,
lighting language,
materials,
environment,
color system,
cinematography.
Extremely detailed.
Professional commercial treatment-board quality.
Perfectly organized technical information.
Strong visual hierarchy.
Readable panels.
--------------------------------------------------
NEGATIVE CONSTRAINTS
--------------------------------------------------
No beverages.
No liquid.
No ice.
No carbonation.
No cola.
No bottles.
No cans.
No human athlete.
No legs.
No feet inside shoe.
No running person.
No duplicate shoe except natural reflection.
No sneaker morphing.
No changing colors.
No disappearing laces.
No changing sole design.
No warped logo.
No malformed product.
No supernatural electricity.
No lightning.
No glowing magical energy rings.
No sci-fi portals.
No cartoon look.
No low-poly rendering.
No toy-like sneaker.
No random text.
No extra logos.
No watermark.
Do not make every scene explosive.
Preserve pacing contrast:
IMPACT
→
DETAIL
→
SPEED
→
STILLNESS
→
IMPACT
→
CALM HERO.
FINAL BOARD SHOULD FEEL LIKE:
a professional Nike product-commercial treatment,
a cinematography plan,
a VFX breakdown,
and a premium 15-second vertical advertising storyboard
combined into one polished production image."
中文译文
制作一份超高端、高度精细的 VERTICAL 9:16 广告分镜 / 导演阐述表,用于一则虚构的 15 秒 NIKE AIR MAX 鞋类商业广告,标题为:
“AIR IN MOTION”
重要说明:
使用高端商业制作板的 专业分镜格式:
- 8 个编号镜头
- 2 列 × 4 行
- 每个模块上方为电影级成片关键帧
- 下方为简洁的手绘分镜草图
- 草图旁为技术性 SHOTLIST 镜头清单表
- 精确时长
- 镜头运动
- 镜头焦距
- 产品动作
- 环境
- 特效(VFX)
- 灯光
- 音效
- 转场
整体呈现应感觉如同真实的导演 + 摄影指导 + VFX 主管的 pre-production 制作板。
请勿再现任何饮料广告的视觉。
无液体飞溅。
无凝结水珠。
无气泡。
无冰块。
无环绕式饮料丝带。
无瓶装 / 罐装构图。
构建一个完全围绕以下元素展开的崭新视觉系统:
AIR(空气)、
PRESSURE(压力)、
RUBBER(橡胶)、
FABRIC(织物)、
DUST(尘埃)、
SPEED(速度)、
WEIGHTLESSNESS(失重)、
AND IMPACT(冲击)。
--------------------------------------------------
画布 / 板面布局
--------------------------------------------------
VERTICAL 9:16 分镜表。
2 列 × 4 行。
总计:
8 个镜头模块。
每个模块:
上方 58%:
成片级的真实感电影广告关键帧。
下方 42%:
分为两个区域。
左侧:
简洁的单色分镜草图,包含:
镜头方向箭头,
产品运动方向,
冲击方向,
运动备注。
右侧:
整洁的技术性 SHOTLIST 镜头清单表。
每个面板的标题栏:
左侧:
两位数镜头编号,外加一个鲜艳的橙红色小块。
中央:
镜头标题,采用粗体压缩白色全大写字体。
右侧:
精确时间范围。
整体板面背景:
深炭灰 / 近黑色。
面板分隔线:
细冷灰色线。
专业商业分镜字体。
整洁。
技术感。
高端质感。
--------------------------------------------------
产品锁定
--------------------------------------------------
主角产品:
一双高端 NIKE AIR MAX 运动鞋。
视觉设计:
流线型运动低帮剪影,
白色工程网布鞋面,
黑色结构性支撑覆片,
小巧的黑色 Nike Swoosh,
暖橙红色细节点缀,
鞋跟处大型透明可见 Air 缓震气垫单元,
白色雕塑感泡棉中底,
黑色橡胶外底。
如果提供了产品参考图像,
需与参考完全一致。
全 8 个镜头中始终保持完全一致:
鞋型,
鞋带,
鞋底,
Air 气垫单元,
Swoosh 位置,
鞋面分块结构,
配色,
材质,
比例。
绝不重新设计鞋款。
仅使用一只主鞋,除非最终 packshot 明确需要成对出现。
--------------------------------------------------
主视觉风格
--------------------------------------------------
全球高端运动服饰商业广告。
超真实感产品摄影。
好莱坞级灯光。
宏观材质摄影。
高速摄影美学。
真实的工程网布。
可触感的编织纤维。
精细橡胶质感。
透明 Air 气垫单元。
细微的悬浮尘埃。
压力波。
类热浪的空气折射。
慢动作冲击。
黑色建筑感影棚环境。
暖色调定向阳光。
硬质白色影棚高光。
橙红色重点照明。
无奇幻魔法元素。
无发光的超自然力量。
“Air(空气)”主题应通过以下方式呈现:
物理压缩,
尘埃位移,
织物反应,
压力变形,
以及悬浮微粒。
--------------------------------------------------
主色彩系统
--------------------------------------------------
主色:
深石墨黑
产品色:
纯净白 + 黑
点缀色:
暖橙红
高光色:
明亮中性白
氛围色:
沙米色 / 细灰尘埃
Air 气垫单元:
透明清澈材质,带有真实折射
--------------------------------------------------
SHOT 01
“THE DROP(坠落)”
00:00–00:01.5
--------------------------------------------------
CINEMATIC KEYFRAME(电影关键帧):
纯黑建筑感环境。
Nike Air Max 运动鞋从黑暗中以鞋底朝下的姿态向哑光水泥平台坠落。
将鞋定格在距离接触面约 10 厘米处。
由于下压鞋底底部的空气压力,平台表面薄薄的尘埃层在冲击之前便开始向外扩散。
一粒粒尘埃扬起。
鞋体保持极度锐利。
镜头:
极低的地面贴地角度。
透视让外底与鞋跟 Air 气垫显得充满力量感。
一束狭窄的暖橙红色背光水平切入鞋体后方。
STORYBOARD SKETCH(分镜草图):
下坠的鞋,
粗大的向下箭头,
下方的平台,
微小的向外尘埃箭头,
向前推进的镜头箭头。
SHOTLIST(镜头清单):
SHOT TYPE: Extreme Low Product Impact
CAMERA: Fast Push-In
LENS: 28mm
PRODUCT: Vertical Descent
PRIMARY ACTION: Pre-Impact Hover
AIR: Pressure Displacement
DUST: Radial Outward Movement
VFX: Fine Particle Lift
LIGHTING: Orange Backline + White Rim
SOUND: Low Air Rush + Bass Rise
TRANSITION: Near Impact → Heel Macro
--------------------------------------------------
SHOT 02
“COMPRESSION(压缩)”
00:01.5–00:03.0
--------------------------------------------------
CINEMATIC KEYFRAME:
鞋跟透明 Air 缓震气垫单元的极近宏观镜头。
鞋终于落地。
透明腔体产生可视但合乎物理的压缩。
泡棉中底发生弯折。
橡胶外底抓紧水泥地面。
尘埃从底部向外猛烈喷出。
镜头极近距离,
呈现:
透明材质,
细微表面划痕,
泡棉纹理,
橡胶纹路,
内部折射。
无不可能的形变。
Air 气垫单元平滑回弹。
STORYBOARD SKETCH:
鞋跟剖面,
向下压力箭头,
被压缩的 Air 腔体,
向外扩散的尘埃箭头,
微小的向上回弹箭头。
SHOTLIST:
SHOT TYPE: Extreme Heel Macro
CAMERA: Locked + Micro Push
LENS: 100mm Macro
PRODUCT: Heel / Air Unit
PRIMARY ACTION: Compression + Rebound
SOLE: Controlled Flex
AIR: Internal Compression
DUST: Ground Burst
VFX: Pressure Distortion
LIGHTING: Hard White Specular + Orange Edge
SOUND: Deep Thump + Rubber Grip + Air Pulse
TRANSITION: Rebound → Fiber Macro
--------------------------------------------------
SHOT 03
“BUILT TO BREATHE(会呼吸的构造)”
00:03.0–00:04.8
--------------------------------------------------
CINEMATIC KEYFRAME:
横向掠过工程网布鞋面的极近宏观镜头。
可清晰看到一根根独立的编织纤维。
材料下方有一道压力脉冲在移动。
网布微观地膨胀再恢复原状。
停留在纤维顶部的细微尘埃颗粒被扬起并飘走。
镜头沿鞋面向 Swoosh 方向推进。
一道硬质白色高光从表面划过。
不出现完整鞋身。
只聚焦于材质工艺。
STORYBOARD SKETCH:
弧形鞋面,
网布网格,
微小的向外气流箭头,
从左到右的镜头追踪箭头。
SHOTLIST:
SHOT TYPE: Material Macro Track
CAMERA: Slow Lateral Glide
LENS: 100mm Macro
PRODUCT: Mesh Upper
PRIMARY ACTION: Fabric Breathes
FABRIC: Micro Expansion
AIR: Internal Pulse
DUST: Fine Particle Lift
VFX: Shallow Refraction / Fiber Movement
LIGHTING: Moving White Highlight
SOUND: Textile Stretch + Soft Air Exhale
TRANSITION: Swoosh Edge → Motion Streak
--------------------------------------------------
SHOT 04
“ACCELERATION(加速)”
00:04.8–00:06.7
--------------------------------------------------
CINEMATIC KEYFRAME:
整只鞋水平高速穿过一条黑暗的建筑感隧道。
无真人脚部。
纯产品可控商业动画。
水泥墙体向后掠过。
运动鞋保持完美稳定且锐利打光。
不使用霓虹光带,
而是由鞋体经过时物理性地卷起:
尘埃,
纸屑般薄片碎屑,
细微砂砾颗粒
形成尾迹。
鞋头周围的空气压缩产生细微而真实的大气折射。
镜头以极高速并行跟随。
强烈的视差效果。
STORYBOARD SKETCH:
向右运动的鞋,
粗大的水平箭头,
后方的碎屑,
平行的镜头箭头,
隧道透视线条。
SHOTLIST:
SHOT TYPE: High-Speed Side Track
CAMERA: Parallel Tracking
LENS: 35mm
PRODUCT: Fast Horizontal Motion
PRIMARY ACTION: Acceleration
AIR: Toe Pressure Distortion
DUST: Wake Trail
ENVIRONMENT: Concrete Tunnel
VFX: Particle Drag + Heat-Haze-Like Refraction
LIGHTING: Repeating Overhead White Bars
SOUND: Fast Air Tear + Deep Rhythm Pulse
TRANSITION: Speed Blur → Suspended Freeze
--------------------------------------------------
SHOT 05
“ZERO WEIGHT(零重力)”(中英文并列标题)
00:06.7–00:08.5
--------------------------------------------------
CINEMATIC KEYFRAME:
完全的运动状态切换。
运动鞋在广阔的黑色影棚中失重漂浮。
尘埃颗粒与细微砂砾在其周围静止悬浮。
鞋体以极慢速度以 3/4 侧面旋转。
鞋带微微向上飘浮。
一条鞋带末端轻柔摆动。
织物如处于低重力环境般细微反应。
透明 Air 气垫单元捕捉到一道干净的白色高光。
一束单一的橙红色光束从鞋后方掠过。
构图:
极简,
宁静,
奢华。
STORYBOARD SKETCH:
中心漂浮的鞋,
微小的弧形旋转箭头,
悬浮的颗粒点,
标注向上的鞋带。
SHOTLIST:
SHOT TYPE: Weightless Hero Profile
CAMERA: Slow 120° Orbit
LENS: 55mm
PRODUCT: Floating / Slow Rotation
PRIMARY ACTION: Suspension
LACES: Gentle Secondary Motion
DUST: Frozen Around Product
AIR: Near Stillness
VFX: Micro Particles
LIGHTING: Orange Back Beam + Silver-White Rim
SOUND: Music Drops + Soft Air Tone
TRANSITION: Lace Movement → Sole Rotation
--------------------------------------------------
SHOT 06
“THE FLEX(弯曲)”(中英文并列标题)
00:08.5–00:10.5
--------------------------------------------------
CINEMATIC KEYFRAME:
镜头摆动到漂浮鞋的下方。
外底充满画面。
运动鞋以前掌部位自然弯折。
不过度夸张。
展示:
深邃的橡胶抓地纹路,
弯折槽,
泡棉结构,
材质过渡,
鞋跟缓震。
鞋体弯折时,
外底上方的一层薄薄悬浮尘埃沿弯折线整齐地一分为二。
鞋体轻柔回弹至自然形态。
镜头在产品下方完成一段受控的弧线运动。
STORYBOARD SKETCH:
仰视的鞋底,
弯曲的弯折箭头,
下方的镜头环绕箭头,
分开的尘埃线。
SHOTLIST:
SHOT TYPE: Under-Sole Product Arc
CAMERA: Low Counter-Orbit
LENS: 40mm
PRODUCT: Outsole Dominant
PRIMARY ACTION: Controlled Flex
RUBBER: Realistic Bend
AIR: Displaced Through Grooves
DUST: Split Plane
VFX: Fine Particle Separation
LIGHTING: White Edge + Orange Bounce
SOUND: Rubber Flex + Low Air Snap
TRANSITION: Flex Release → Downward Launch
--------------------------------------------------
SHOT 07
“IMPACT RELEASE(冲击释放)”(中英文并列标题)
00:10.5–00:12.7
--------------------------------------------------
CINEMATIC KEYFRAME:
鞋从失重状态向下发射。
猛烈撞击一个大型方形水泥基座。
撞击瞬间:
Air 气垫单元压缩,
外底自然铺展,
一道巨大的、完全物理化的尘埃冲击波沿水平方向在地面炸开。
无魔法发光光环。
冲击波完全由:
尘埃,
沙粒,
细微砂砾,
空气压力,
以及微小水泥颗粒
构成。
冲击波从鞋体向外迅速扩散。
镜头快速后拉以展现尺度。
鞋体牢牢钉在原位,毫无损伤。
STORYBOARD SKETCH:
中心落地的鞋,
粗大的向下箭头,
平面放射状尘埃箭头,
镜头后拉箭头。
SHOTLIST:
SHOT TYPE: Wide Impact Hero
CAMERA: Rapid Pull-Back
LENS: 30mm
PRODUCT: Center Anchor
PRIMARY ACTION: Landing Impact
AIR UNIT: Compression + Rebound
DUST: Large Horizontal Shockwave
DEBRIS: Fine Controlled Grit
VFX: Pressure Wave + Atmospheric Distortion
LIGHTING: White Impact Flash + Orange Rim
SOUND: Massive Shoe Impact + Air Boom
TRANSITION: Dust Wave → Clean Hero Reveal
--------------------------------------------------
SHOT 08
“AIR IN MOTION(运动中的空气)”(中英文并列标题)
00:12.7–00:15.0
--------------------------------------------------
CINEMATIC KEYFRAME:
最终高端产品 packshot。
一只 Nike Air Max 运动鞋自然地静置于水泥基座上。
尘埃在其周围缓缓沉降。
透明鞋跟 Air 气垫单元完美可见。
产品呈
来源与署名
原文由 @ManuAGI01 发布在 X:查看原推文。 本页逐字保留原文并提供机器翻译的中文解读;版权归原作者所有。
同工具的更多提示词
- 超写实时尚大片风格,画面中是一位明显成年的年轻女性,面容年轻清新,纤细优雅的V形脸型,下颌线与下巴精致分明,肌肤苍白透亮呈现玻璃肌效果,带有真实的毛孔与细腻自…@MahiraEhan
- 仅基于上传的照片,创建一幅精致的“照片 + 极简墨线小图(vignette)”作品。 格式:竖向 3:4。 ### 顶部 — 原始照片 将约 48–50% 的…@Sairah_0
- 城市:[用英文输入城市名称] 地标:[输入一个主要地标] 创作一幅原创的竖版情感城市海报,展示指定的城市和地标。地标应作为中景的可识别视觉焦点,简化成优雅的几…@Goodmanprotocol
- iPhone 手机生活抓拍,9:16竖幅;东亚INS女网红,白皙肌肤,夸张身材,自然生活状态。 从以下10组中随机选择1组脸部表情+手部动作: 01|😏似笑非…@DeepBlueX0
- ① 打开 GPT Image 2 / Nano Banana pro / Gemeni / Grok ② 添加您的图片 ③ 粘贴提示词 ④ 生成结果 生成一张…@JamilAI55
- 使用我上传的女性面部作为唯一身份参考,创作一张高端、超写实的高级时尚编辑杂志海报,作为主要女性主体的参考。 保留我确切的面部身份和自然外观——面部结构、肤色、…@aniyaintel