GPT image 2 prompt on chatGpt

GPT image 2 prompt on chatGpt Prompt 👇 CHARCOAL VANISHING TRAVEL STUDY｜Charcoal Vanishing Travel Sketch Create one separate advanced comparative poster for each travel photo I upload. Each uploaded photo must produce one individual output only. Never combine different photos, create a collage, or mix subjects from multiple images. The most important rule: preserve the uploaded photograph exactly as the visual source. The people, animals, buildings, vehicles, landscape, proportions, poses, positions, movement direction, perspective, lighting, textures, and overall identity must remain faithful to the original. Do not redesign, replace, beautify, reinterpret, or invent the main subject. Use a 3:4 vertical composition divided naturally into two distinct visual areas. The upper section contains the authentic photograph and the lower section contains a restrained charcoal memory sketch. The division should feel clean and intentional but not like a rigid graphic template. Aim roughly for 50% photograph / 50% charcoal paper, allowing the proportions to shift slightly when needed to preserve the original image naturally. TOP — AUTHENTIC TRAVEL PHOTOGRAPH Keep the uploaded photograph clearly recognizable as the actual original photo, not a realistic redraw. Preserve: - exact subject identity and quantity - original pose and body position - direction of movement - architecture and structural outlines - terrain and spatial relationships - natural perspective - authentic light and shadow - original textures and materials - original color atmosphere Only apply a very subtle editorial photographic treatment, similar to a refined travel magazine or art photography publication. Keep colors natural and restrained. Add only extremely subtle film grain. If the photograph needs to fit the 3:4 vertical format, use natural cropping or gentle environmental extension of surrounding sky, ground, mountains, or empty space. Never stretch, distort, relocate, replace, or redesign the actual subject. BOTTOM — VANISHING CHARCOAL MEMORY SKETCH Study the uploaded photograph first and identify the one or few visual elements that carry the strongest memory of the journey. Possible anchors include: a house, cable car, person, animal, vehicle, boat, bridge, tree, staircase, rock formation, doorway, architectural feature, or another clearly recognizable object. Do not turn the whole photograph into a charcoal landscape. Instead, reduce the most memorable subject into a loose, isolated charcoal study on warm white paper. Keep only enough of the surrounding environment to preserve the subject's identity, scale, direction, and sense of place. The charcoal subject should normally occupy only 18%–35% of the lower paper area, leaving generous untouched paper around it. The surrounding environment should be extremely minimal, with no complete background. At most include 1–3 quiet environmental traces, such as: - a broken ground line - a small rock or hillside fragment - two or three mountain strokes - a cable line - a few tree marks - a small cast-shadow indication - several short spatial smudges Everything else should disappear into untouched paper. CHARCOAL DRAWING LANGUAGE Make the sketch feel like a real unfinished travel sketch made by hand, not a digital filter. Use a restrained combination of: - willow charcoal - compressed charcoal - charcoal pencil - very light graphite - broad directional marks - short broken strokes - finger-smudged gray - kneaded-eraser lifting - charcoal dust - loose crumbs - visible paper tooth - uneven hand pressure - broken contours - dry powder residue Use broad and short directional marks to describe the subject's weight and structure. Avoid dense academic hatching and overly detailed pencil rendering. Reserve the darkest charcoal only for the most important identifying structures, such as: doorways, deep shadows, windows, tires, figure silhouettes, animal horns, structural joints, cable-car supports, boat undersides, or other essential anchor points. Use only one or two restrained smudged gray areas to suggest volume. Let the paper remain visible through the drawing. VANISHING EFFECT The disappearing quality must look physically drawn and partially erased, never digitally faded. The visual progression should feel like: clear charcoal structure → broken contour → loose smudge → scattered charcoal dust → untouched paper The edges should gradually lose definition because the artist stopped drawing, rubbed away the charcoal, lifted marks with an eraser, or simply left sections unfinished. Do not use: digital opacity, blur, glow, mist, airbrush, feathered masks, soft-focus effects, artificial gradients, or atmospheric digital fading. The subject should feel as though it is emerging from memory and quietly disappearing back into the paper. PAPER & COLOR The entire lower section must remain strictly monochrome. Use only: - warm white paper - warm gray - cool gray - charcoal black - very subtle graphite silver-gray Do not carry photographic colors into the sketch. The paper should feel authentic and tactile: matte warm-white drawing paper with visible tooth, subtle fibers, charcoal friction, powder residue, eraser marks, and natural imperfections. COMPOSITION & FEELING The final poster should resemble a preserved page from a high-end travel observation book or museum sketchbook. The photograph represents what was actually seen. The charcoal drawing represents what remained in memory. Keep the entire composition: quiet, restrained, spacious, tactile, imperfect, solitary, editorial, archival, and emotionally subtle. The contrast between the precise photograph and the unfinished charcoal memory should be the main visual idea. Do not make the charcoal subject oversized. Do not fill the lower half. Let the empty paper become an important part of the composition. STRICTLY AVOID No collage No multi-photo composition No complete charcoal landscape No full-background charcoal drawing No black-and-white filter over the original photograph No photo-realistic pencil redraw No dense hatching No academic illustration style No watercolor No ink wash No oil-painting effect No digital airbrushing No misty disappearance No artificial blur No smooth gradient fading No decorative borders No rigid graphic template No oversized subject No unnecessary objects No invented scenery No altered people or animals No changed architecture No subject replacement No logos No watermark No captions No numbers No explanatory text Final priority: the uploaded photograph must remain visually authentic and immediately recognizable. The charcoal section may interpret the photograph artistically, but it must preserve the same key subject, identity, pose, proportions, and visual memory rather than inventing a different scene.

GPT image 2 prompt on chatGpt 提示词 👇 CHARCOAL VANISHING TRAVEL STUDY｜Charcoal Vanishing Travel Sketch（炭笔消逝旅行研究｜炭笔消逝旅行速写） 我每上传一张旅行照片，就分别为其创建一张独立的高级对比海报。每张上传的照片只能生成一个单独的输出。绝不能将不同的照片合并、做成拼贴，或混合多张图像中的主体。 最重要的规则：将上传的照片原样保留为视觉来源。人物、动物、建筑、车辆、风景、比例、姿态、位置、运动方向、透视、光照、纹理以及整体身份必须忠实于原作。不得重新设计、替换、美化、重新解读或编造主体。 使用 3:4 的竖向构图，自然地划分为两个不同的视觉区域。上半部分放置真实照片，下半部分放置克制的炭笔记忆速写。分割应感觉干净且有意为之，但不要像一个死板的图形模板。大致目标是 50% 照片 / 50% 炭笔纸，允许比例在需要时略有调整，以自然地保留原图。 TOP — AUTHENTIC TRAVEL PHOTOGRAPH（上半部分 — 真实旅行照片） 让上传的照片清晰可辨为真正的原始照片，而非真实的重绘。 保留： - 主体身份和数量的完全一致 - 原始姿态和身体位置 - 运动方向 - 建筑和结构轮廓 - 地形和空间关系 - 自然透视 - 真实的光影 - 原始的纹理和材质 - 原始的色彩氛围 仅应用非常微妙的编辑级摄影处理，类似于精致的旅行杂志或艺术摄影出版物。保持色彩自然、克制。仅添加极其微妙的胶片颗粒。 如果照片需要适配 3:4 的竖向格式，使用自然裁剪或对周围天空、地面、山体或空白区域进行温和的环境延伸。绝不能拉伸、扭曲、挪动、替换或重新设计实际主体。 BOTTOM — VANISHING CHARCOAL MEMORY SKETCH（下半部分 — 消逝的炭笔记忆速写） 首先研究上传的照片，识别出承载旅程最强烈记忆的一处或几处视觉元素。 可能的锚点包括： 房屋、缆车、人、动物、车辆、船、桥、树、楼梯、岩石构造、门洞、建筑特征，或其他清晰可辨的物体。 不要把整张照片变成炭笔风景。 相反，将最令人难忘的主体简化为在暖白纸上的一幅松散、孤立的炭笔研究。仅保留足以维持主体身份、尺度、方向和场所感的环境。 炭笔主体通常应仅占下方纸面的 18%–35%，周围留出大量未触动的纸面。 周围环境应极其简约，不应出现完整的背景。最多包含 1–3 处安静的环境痕迹，例如： - 一段断裂的地面线 - 一小块岩石或山坡碎片 - 两到三笔山脉笔触 - 一条缆线 - 几处树的痕迹 - 一处小投影指示 - 数处简短的空间晕染 其他一切都应消失于未触动的纸面之中。 CHARCOAL DRAWING LANGUAGE（炭笔绘画语言） 让速写感觉像一幅真实的手绘未完成旅行速写，而非数字滤镜。 克制地组合使用： - 柳条炭笔 - 压缩炭笔 - 炭笔铅笔 - 极浅的石墨 - 大方向性笔触 - 短而断续的线条 - 手指晕染的灰色 - 可塑橡皮提白 - 炭笔粉末 - 松散的炭屑 - 可见的纸纹肌理 - 不均匀的手部压力 - 断裂的轮廓线 - 干燥的粉末残留 使用宽阔而简短的方向性笔触来描绘主体的体量与结构。避免密集的学院式排线和过于精细的铅笔刻画。 将最深的炭色仅保留给最重要的可识别结构，例如： 门洞、深阴影、窗户、轮胎、人物剪影、动物角部、结构节点、缆车支架、船底或其他必要的支撑点。 仅使用一到两处克制的晕染灰色来暗示体积。让纸面透过绘制显露出来。 VANISHING EFFECT（消逝效果） 消逝的质感必须看起来是物理绘制的并被部分擦除的，绝不能是数字淡化的。 视觉进展应感觉如下： 清晰的炭笔结构 → 断裂的轮廓 → 松散的晕染 → 散落的炭笔粉末 → 未触动的纸面 边缘应逐渐失去清晰度，因为艺术家停止描绘、用手指擦去炭笔、用橡皮提亮笔触，或只是留下了未完成的部分。 不要使用： 数字不透明度、模糊、光晕、雾气、气笔、羽化蒙版、柔焦效果、人为渐变，或大气感的数字淡出。 主体应感觉仿佛正从记忆中浮现，又悄然消失回纸面之中。 PAPER & COLOR（纸面与色彩） 整个下半部分必须严格保持单色。 仅使用： - 暖白纸 - 暖灰 - 冷灰 - 炭黑 - 极其微妙的石墨银灰 不要将照片的色彩带入速写。 纸面应感觉真实而具触感：哑光暖白色绘图纸，具有可见的纸纹肌理、细微纤维、炭笔摩擦感、粉末残留、橡皮痕迹以及自然瑕疵。 COMPOSITION & FEELING（构图与感受） 最终的海报应类似高端旅行观察书或博物馆速写本中保留下来的某一页。 照片代表真正看到的事物。 炭笔速写代表留在记忆中的事物。 让整个构图保持： 安静、克制、留白、具触感、不完美、孤寂、编辑感、档案感、情绪微妙。 精准的照片与未完成的炭笔记忆之间的对比应是主要的视觉理念。 不要将炭笔主体画得过大。不要填满下半部分。让空白的纸面成为构图的重要组成部分。 STRICTLY AVOID（严格避免） 无拼贴 无多张照片合成 无完整的炭笔风景 无满背景的炭笔画 不在原始照片上叠加黑白滤镜 无照片写实风格的铅笔重绘 无密集排线 无学院式插画风格 无水彩 无水墨晕染 无油画效果 无数字气笔效果 无雾气式的消逝 无人工模糊 无平滑渐变淡出 无装饰边框 无死板的图形模板 无过大的主体 无多余的物体 无虚构的场景 无被改动的人物或动物 无被改变的建筑 无主体替换 无 logo 无水印 无标题说明 无数字编号 无解释性文字 最终优先级：上传的照片必须在视觉上保持真实且一眼可辨。炭笔部分可以艺术化地诠释照片，但必须保留相同的关键主体、身份、姿态、比例和视觉记忆，而不是编造另一个场景。