复古城市旅行海报 - [CITY, COUNTRY](3:4)
分享链接 · https://openimages.ajiang.me/p/2089301517052317980/
 一幅松散、手绘的水彩与墨水旅行速写,描绘 [CITY],带有快速断续的线条、不均匀的水彩晕染、丰富的留白以及温暖的…](https://media.openimages.relakkesyang.org/images/2089301517052317980/1.jpg)
 一幅松散、手绘的水彩与墨水旅行速写,描绘 [CITY],带有快速断续的线条、不均匀的水彩晕染、丰富的留白以及温暖的…](https://media.openimages.relakkesyang.org/images/2089301517052317980/2.jpg)
 一幅松散、手绘的水彩与墨水旅行速写,描绘 [CITY],带有快速断续的线条、不均匀的水彩晕染、丰富的留白以及温暖的…](https://media.openimages.relakkesyang.org/images/2089301517052317980/3.jpg)
 一幅松散、手绘的水彩与墨水旅行速写,描绘 [CITY],带有快速断续的线条、不均匀的水彩晕染、丰富的留白以及温暖的…](https://media.openimages.relakkesyang.org/images/2089301517052317980/4.jpg)
color_palette · warm-tonescomposition · low-anglecomposition · rule-of-thirdslighting · golden-hourmood · nostalgicsubject_type · architecture-interior
提示词(原文,逐字保留)
VINTAGE CITY TRAVEL POSTER - [CITY, COUNTRY] (3:4)
A loose, hand-painted watercolor-and-ink travel sketch of [CITY], with fast broken lines, uneven washes, generous bare paper, and warm golden-hour light. Bright white cold-press paper — no cream or sepia cast.
SUBJECT
Hero: [PRIMARY LANDMARK], viewed from street level, frontal and slightly upward-tilted, full height within the frame, occupying roughly 68–75% of the poster height and positioned on the right third.
Behind it: [SECONDARY LANDMARK], smaller and lower on the left, with 2–3 soft architectural masses suggesting the surrounding city. Include only the landmarks specified — no unrelated attractions.
IDENTITY LOCK
The primary landmark must remain clearly recognizable through its defining silhouette, proportions, major structural features, and distinctive crown, roofline, dome, spire, or tower top. These features receive the strongest contrast and must never be cropped or lost into the paper.
COUPLE
A young couple seen from behind, arms linked and walking toward the landmark, with one looking upward. They occupy 14–18% of the poster height within the bottom 22–25%.
Mid-century travel coats, a small handbag, and compact suitcase. Use simple silhouettes with minimal strokes. No faces, fingers, detailed clothing folds, or extra figures.
LINE
Loose, broken, imperfect ink contours. Lines may skip, overshoot corners, vary in weight, or stop before connecting.
Background buildings remain highly gestural — simple rooflines, corners, and vertical suggestions. Never draw individual windows or bricks. Some forms should exist only as watercolor washes.
WATERCOLOR
Use irregular, transparent washes rather than solid fills. Show natural blooms, backruns, wet-in-wet bleeding, pooled pigment, dry-brush skips, dissolved edges, and subtle paper-grain granulation.
Washes may slightly overshoot or fall short of the ink. Keep overall coverage around 55–65%, leaving generous bare paper in the sky, distant city, sunlit surfaces, pavement gaps, and outer edges.
VALUE & DEPTH
Add 6–10 small dark accents in burnt umber or dark indigo around structural shadows, recessed areas, beneath the vehicle and couple, and near the landmark base.
Foreground has the strongest pigment and clearest line. Distant buildings use only 15–25% pigment strength in dusty blue-gray and hazy peach, with almost no linework.
LIGHT & COLOR
Golden-hour light coming from the left, creating one illuminated side and one shaded side on the landmark.
Palette: warm limestone cream, pale apricot, warm gray, dusty steel blue, and soft graphite. Use only one saturated city-specific accent color: [ACCENT COLOR].
PROPS — 3 ONLY
[PRIMARY VEHICLE / TRANSPORT ELEMENT], one lamp post, and one striped awning edge.
TEXT
No text anywhere: no titles, signs, logos, numbers, storefront names, or pseudo-lettering. Keep the top 15–18% completely clean for later typography.
AVOID
Photorealism, CGI, 3D rendering, generic AI architecture, duplicated or hybrid landmarks, warped structures, incorrect proportions, repetitive windows, mechanical linework, extra figures, visible faces, flat fills, neon colors, excessive detail, edge-to-edge painting, floating objects, inconsistent scale, or garbled text.
Bare paper beats invented detail.
RECOGNITION FIRST, VALUE SECOND, ATMOSPHERE THIRD, DETAIL LAST.
中文译文
复古城市旅行海报 - [CITY, COUNTRY](3:4)
一幅松散、手绘的水彩与墨水旅行速写,描绘 [CITY],带有快速断续的线条、不均匀的水彩晕染、丰富的留白以及温暖的金时刻光线。亮白色冷压纸 — 无奶油色或深褐色调。
主体
主角:[PRIMARY LANDMARK],从街道水平视角观看,正面略微向上倾斜,画面内为完整高度,占海报高度的约 68–75%,位于右侧三分之一处。
其后方:[SECONDARY LANDMARK],位于左侧更小、更低的位置,配有 2–3 个柔和的建筑体块暗示周边城市。仅包含指定的地标 — 不要包含无关景点。
身份锁定
主要地标必须通过其标志性轮廓、比例、主要结构特征以及独特的塔冠、屋顶线、穹顶、尖塔或塔顶保持清晰可辨。这些特征获得最强对比,绝不能被裁切或消失在纸张中。
情侣
一对年轻情侣从背后看到,手臂相挽,朝地标方向走去,其中一人抬头仰望。他们占据海报高度的 14–18%,位于底部 22–25% 范围内。
中世纪旅行外套、一个小手提包和一个紧凑的手提箱。使用简单的剪影与最少笔触。无面部、手指、详细的衣物褶皱或额外人物。
线条
松散、断续、不完美的墨水轮廓。线条可以跳跃、超出转角、改变粗细,或在连接前停止。
背景建筑保持高度概括性 — 简单的屋顶线、转角和垂直暗示。绝不要绘制单个窗户或砖块。某些形态应仅以水彩晕染存在。
水彩
使用不规则、透明的水彩晕染,而非实心填充。展现自然晕染、回流、湿叠湿渗色、颜料堆积、干笔跳笔、溶解边缘以及微妙的纸纹颗粒感。
晕染可以略微超出或未到达墨线。保持整体覆盖率约 55–65%,在天空、远处城市、日照表面、人行道缝隙和外部边缘保留丰富的留白。
明度与深度
在地标结构阴影、凹陷区域、车辆和情侣下方以及地标基座附近添加 6–10 个以烧赭色或深靛蓝呈现的小型深色点缀。
前景具有最强的颜料和最清晰的线条。远处建筑仅使用 15–25% 的颜料强度,呈尘蓝灰色与朦胧桃色,几乎无线条。
光线与色彩
金时刻光线从左侧射来,在地标上形成一侧受光、一侧阴影。
调色板:温暖石灰石奶油色、淡杏色、暖灰色、尘钢蓝与柔和石墨色。仅使用一种饱和的城市专属点缀色:[ACCENT COLOR]。
道具 — 仅 3 件
[PRIMARY VEHICLE / TRANSPORT ELEMENT]、一根路灯柱和一条条纹遮阳篷边缘。
文字
任何地方都不要有文字:无标题、标志、徽标、数字、店面名称或伪字母排版。保持顶部 15–18% 完全干净以便后期排版。
避免
照片写实、CGI、3D 渲染、通用 AI 建筑、重复或混合的地标、扭曲的结构、不正确的比例、重复的窗户、机械的线条、额外人物、可见面部、平涂填充、霓虹色、过多细节、边缘到边缘的绘画、漂浮物体、不一致的尺度或乱码文字。
留白胜过编造细节。
识别第一,明度第二,氛围第三,细节最后。
来源与署名
原文由 @Goodmanprotocol 发布在 X:查看原推文。 本页逐字保留原文并提供机器翻译的中文解读;版权归原作者所有。
同工具的更多提示词
- 一张迷人的户外街头风格抓拍人像照,照片中一位年轻女子站在一家温馨的咖啡馆或精品店外。她有着一头棕色长发,编成两条松散的辫子,妆容自然柔和,脸颊红润,带着温柔的…@Aqsahere_
- 巨大的大白鲨优雅地游过纽约市时代广场上方的空气,在摩天大楼和巨型LED广告牌之间自然穿梭,仿佛飞越一片无形的海洋。它们庞大的身躯以逼真的水中游动姿态滑行,鲜艳…@SheBuildsAI_
- 一位明显成年的女性,采用高角度特写构图,画面从额头取景至锁骨。深色长发中分,柔软地垂落在脸颊两侧。浅绿色眼睛是画面的主要焦点,搭配自然的睫毛、眉形与眼神光…@MissDelulu9
- Gemini Nano Banana 2 vs Grok Imagine vs ChatGPT Image 2 🖤 谁做得更好? 1️⃣ Nano Banan…@punkhuri1
- 使用上传的参考图像作为精确的面部身份来源,创建一个卓越的个人品牌肖像集。以最高保真度保留此人的身份:精确的面部结构、眼睛形状与颜色、鼻子、嘴唇、下颌线、耳朵、…@MrDasOnX
- 一幅高度精细的超现实哥特恐怖肖像画,描绘一位苍白的年轻女性,留着黑色短发,居于紧凑的竖幅构图正中。她的神情平静、忧郁、令人难忘且情感疏离,眼妆浓重深沉,眼神疲…@im_shahid7