云上之城,东方美学🎨

GPT-Image-2 · @johnAGI168 · Tue Aug 11

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分享链接 · https://openimages.ajiang.me/p/2087193006201815369/

云上之城,东方美学🎨 GPT- image 2 提示词 👇 16:9 宽屏。高端电影级 3D 渲染,具备动画长片级的精致打磨,极致的建筑细节,无塑料光泽。冷色调清晨。 【尺度法则…
云上之城,东方美学🎨 GPT- image 2 提示词 👇 16:9 宽屏。高端电影级 3D 渲染,具备动画长片级的精致打磨,极致的建筑细节,无塑料光泽。冷色调清晨。 【尺度法则…
camera_lens · telephotocolor_palette · cool-tonescomposition · symmetrycomposition · wide-shotlighting · golden-hourmood · mysterious

提示词(原文,逐字保留)

云上之城,东方美学🎨 GPT- image 2 prompt 👇 16:9 widescreen. High-end cinematic 3D render with feature-animation polish, extreme architectural detail, no plastic sheen. Cool early dawn. [SCALE RULE — the whole point] The architecture is the subject. Each human figure stands no taller than a single balustrade post beside them, roughly one fortieth the height of the hall behind them, and occupies about 3% of the frame height — a few dozen pixels tall. A viewer should scan the image for a moment before noticing that anyone is there at all. Never enlarge them for legibility. [VANTAGE] Camera positioned far back and slightly elevated, a long-lens read at 29 degrees (75mm) that compresses the tiers into stacked planes. [THE ARCHITECTURE] A colossal ceremonial hall crowns the upper center of the frame, seated on nine receding tiers of white jade platform. Its roof ridge stands two hundred meters above the base. Across its front runs a colonnade of monolithic ivory stone columns, each over three meters thick and tens of meters tall, carrying dark vermillion matte-lacquered timber brackets and deep blue-grey tiled eaves. Below, a single vast stairway of more than three hundred treads descends toward camera, flanked the whole way by low carved balustrades with posts at even intervals. Form follows Tang-Song official building canon scaled up rigorously — symmetrical, structurally sound, restrained, no fantasy ornament. [THE FIGURES] Four people are distributed along the stairway at widely separated heights, each alone, each seen from behind as a pale vertical mark in white and celadon robes. The nearest stands at the lower third; the farthest is barely a light speck near the colonnade. Their scale against the stair and the columns is the only information the image gives about how large any of this is. No group, no crowd, no gesture. [SURROUNDINGS] The platform's edges fall away into an unbroken cloud sea that rolls slowly at both sides and behind, its upper surface catching the first light. Dark green gnarled pines cling to the terrace edges at intervals, small against the stonework. Distant subsidiary halls and a far gate-tower recede along the same axis, dissolving into haze. [SKY] Pale blue-grey washing to cool ivory near the horizon. A very large pale moon sits low behind the hall, its diameter about one third of frame height, craters visible, integrated into the air — thin cloud crossing in front of it, a soft glow at its limb, its lower edge softened by haze. [LIGHT] Low cold dawn light from behind camera-left rakes across the stair, throwing long crisp shadows down the treads from every balustrade post — those repeating shadows are the second scale device and must read clearly. Roof ridges and column tops catch a thin warm gold edge; the masses stay in cool blue-grey diffuse light. No god rays, no flare. [ATMOSPHERE] Haze at 40%, building layer by layer with distance so the near stair reads crisp, the colonnade softer, the far gate-tower nearly dissolved. Eight or more depth layers. [COLOR] Ivory white weathered stone, dark vermillion matte lacquer, deep blue-grey tile, dark green pine, pale cool sky. Warm gold only as a thin rim on ridges and column tops, under 5% of the frame. Clean and cool, never muddy, never orange. [RENDER] Physically real materials — mottled weathering on stone, fine crazing in the lacquer, individual roof tiles readable on the near eaves. Low-contrast curve, shadows lifted holding texture, highlights rolled off. Mood: monumental, silent, humbling. [AVOID] Figures rendered larger than a balustrade post, figures near the camera, crowds, faces, birds or cranes, golden-orange grade, plastic surfaces, atmospheric haze so heavy the architecture loses detail, symmetrical dead-center framing without depth cues.

中文译文

云上之城,东方美学🎨 GPT- image 2 提示词 👇 16:9 宽屏。高端电影级 3D 渲染,具备动画长片级的精致打磨,极致的建筑细节,无塑料光泽。冷色调清晨。 【尺度法则 —— 整张图的灵魂所在】建筑才是主体。每一处人形都要比旁边一根栏杆柱还要矮,仅为身后大殿高度的约四十分之一,占画面高度约 3%——只有几十个像素高。观众需要扫视画面片刻才会察觉竟然有人存在。绝不可为求清楚而放大他们。 【视角】相机位于远处偏后、略高于主体的位置,以 29 度(75mm)长焦视角取景,将层层台基压缩成层叠的平面。 【建筑】一座宏伟的礼仪大殿高踞画面上方的中央,坐落在九层向后退台的白玉台基之上。屋脊距地面高达两百米。正面横贯一排整块象牙白石柱构成的柱廊,每根石柱直径超过三米、高达数十米,托举着深朱砂哑光漆木斗拱与深蓝灰瓦檐。其下,一道由三百余级踏步组成的巨型阶梯朝镜头方向倾泻而下,全程两侧以低矮雕花栏杆相随,栏杆柱等距排列。形制严格遵循唐代至宋代官式建筑法式并按比例放大——对称、构造严谨、克制,无任何玄幻装饰。 【人物】四人沿阶梯分布于相距甚远的不同高度,各自独处,皆为背影,着白与青白长袍,呈淡色竖向点状。最近一人站在下三分之一处;最远一人不过是柱廊附近的微光斑点。他们与阶梯、石柱之间的尺度关系,是画面唯一能说明这一切有多宏大的信息。无群组、无人群、无姿态。 【环境】台基边缘向两侧及后方坠入一片连绵的云海,云海缓缓翻涌,其上层表面迎接着最初的天光。深绿虬曲的松树零星攀附于台基边缘,相对于石作而言体量渺小。远处的配殿与远方一座门楼沿同一轴线后退,渐渐消融于雾霭之中。 【天空】淡蓝灰色,至地平线渐变为冷调象牙白。一轮极大的淡色月亮低悬于大殿之后,直径约为画面高度的三分之一,可见环形山,与空气融为一体——薄云飘过其前,月缘有柔和辉光,下沿因雾而微微柔化。 【光线】冷冽的清晨低光从镜头左后方斜射掠过阶梯,将每一根栏杆柱的长长清晰阴影投下踏步——这些重复出现的阴影是第二重尺度参照,必须清晰可读。屋脊与柱顶掠过一缕暖金色薄边;体量则笼罩于冷蓝灰的漫射光之中。无丁达尔光、无眩光。 【大气】雾霭浓度 40%,随距离逐层叠加——近处阶梯读来清晰,柱廊较柔和,远方门楼近乎消融。至少八个以上的景深层。 【色彩】象牙白风化石、深朱砂哑光漆、深蓝灰瓦、深绿松、淡冷天色。暖金仅以薄边形式出现在屋脊与柱顶,不超过画面 5%。清冷通透,绝不浑浊,绝不偏橙。 【渲染】物理真实的材质——石面斑驳风化、漆面细密开纹、近处檐口可见单片瓦片。低对比度曲线,暗部提亮以保留质感,高光柔化。氛围:壮阔、静穆、令人谦卑。 【规避】人物被画得比栏杆柱还高、人物靠近镜头、人群、面孔、飞鸟或仙鹤、金橙色调、塑料感表面、雾霭过重导致建筑细节流失、对称居中且缺乏纵深提示的死板构图。

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