对于这个，我用了首帧/尾帧来拍第一个镜头，然后只用首帧 + 参考图来拍第二个飞机镜头。

For this one, i used start/end frames for the first shot, then just the start frame + references for the second plane shot. Prompt 1: A smooth aerial shot gliding over Miami Beach, scanning along the length of the coastline where the sand meets the ocean, then at the very end the camera ramps up into the open sky until the frame fills entirely with pure cloudless blue. SHOT: two-part camera move. FIRST (most of the clip): a slow, steady aerial drift traveling along the beach — floating forward down the coastline, the sand, sunbathers, umbrellas, palms, and Art Deco hotel strip sliding past on one side, the turquoise surf and open Atlantic on the other. Gentle, cinematic, stable drone-like motion. THEN (final beat): the camera tilts up with a ramping acceleration — beginning slowly, then speeding up faster and faster as it sweeps off the beach toward the sky, whipping up in an accelerating rise until nothing is left in frame but sky. MOTION: waves roll and break gently along the shore; tiny figures wade, swim, and walk on the sand; umbrellas and palms hold; the water sparkles with moving sunlight. All motion natural and calm during the scan, then the accelerating upward tilt clears the frame to sky. ENDING FRAME: the shot ends on pure, deep-blue sky filling the entire frame — completely clear, no clouds at all, no wisps, no horizon, no objects, just flawless solid blue. ENVIRONMENT: bright sunny 1986 Miami Beach, wide pale sand, turquoise shallows deepening to blue, low-rise Art Deco strip, sparse skyline. LIGHTING: hard bright midday sun, brilliant sky and sea, crisp. COLOR LOGIC: beige sand, turquoise and deep blue water, saturated cloudless blue sky. The scan stays smooth and steady; only at the very end does the camera accelerate upward to fill the frame with clear blue sky. Buildings and horizon never warp. cinematic, 4K prompt 2: Starting on a pure cloudless blue sky with the camera pointed up, a large 1980s Korean Air Lines Boeing 747 flies into frame and passes overhead at a banking angle — its painted side and tail visible — then the camera tilts down to follow it as it descends toward the far distance, until the flat landscape of its destination and a runway come into view below, heat haze rippling behind its engines. SHOT: three-part camera move. BEAT ONE — the camera looks up at clear deep-blue sky; a large hump-nosed Boeing 747 crosses overhead, banked slightly so its side livery and red tail face the camera, sweeping close and low enough to feel enormous. BEAT TWO — as it passes, the camera tilts down to track it, following the aircraft as it flies away, banks, and shrinks into a descent toward the far horizon. BEAT THREE — the camera continues tilting down past the horizon line to reveal the ground far below: a flat, hazy, sprawling landscape with a long grey airport runway and taxiways stretching across it, the tiny 747 now on final approach, gliding down toward the distant strip. End on the small plane low over the flat terrain, lined up with the runway. AIRCRAFT: a Boeing 747-200 in 1980s Korean Air Lines livery — white upper fuselage, bare-silver lower, a red-and-blue cheatline, a red tail fin with a small circular emblem. Four engines, humped nose. Stable, solid, realistic shape at all times; gear retracted at altitude, lowering as it nears the runway. DESTINATION: a 1980s airport seen from high above — long grey runways and taxiways on flat brown-green Florida terrain, low terminal buildings and a control tower in the far distance, palms and a hazy low skyline on the horizon. Everything flat, wide, and heat-hazed — no hills, no mountains. Distant and soft, not sharply detailed. HEAT HAZE: behind each of the four engines, a shimmering ripple of thermal exhaust distortion wavering in the air, subtle but real. No white contrails, no smoke. ENVIRONMENT: clear deep-blue cloudless sky above, giving way to a humid, hazy flat landscape below at the horizon. LIGHTING: hard bright midday sun, glinting off the fuselage. COLOR LOGIC: saturated blue sky, white-and-silver aircraft, red tail, flat brown-green land, hazy horizon. Only the exhaust air shimmers and warps — the aircraft never morphs. Smooth continuous motion throughout. cinematic, 4K

对于这个，我用了首帧/尾帧来拍第一个镜头，然后只用首帧 + 参考图来拍第二个飞机镜头。 提示词 1： 一条平滑的航拍镜头滑过迈阿密海滩，沿着海岸线沙与海交汇的方向扫过长长一段，最后在结尾处，相机加速抬头冲入开阔的天空，直到整个画面完全被纯净无云湛蓝的天空填满。镜头：两段式运镜。第一部分（占整段画面的大部分）：一段缓慢、稳定的海岸航拍漂移——沿着海岸线向前漂浮，一侧是沙滩、晒太阳的人们、遮阳伞、棕榈树和装饰艺术风格（Art Deco）酒店带滑过，另一侧是绿松石色的浪花和开阔的大西洋。柔和、电影感、如无人机般稳定的运动。然后（最后一个节拍）：相机以不断加速的方式向上倾斜——开始时缓慢，随后越来越快，朝着天空从海滩上方扫过，以加速上升的猛烈动作抬起，直到画面中只剩下天空。运动：海浪轻柔地翻滚拍打岸边；小小的人影在沙滩上蹚水、游泳、漫步；遮阳伞和棕榈树保持不动；水面有流动的阳光波光闪烁。扫拍阶段所有运动自然且平静，然后加速向上的倾斜将画面清空为天空。结束画面：镜头结束于纯净、深蓝的天空填满整个画面——完全晴朗，没有任何云，没有任何丝缕云，没有地平线，没有物体，只有完美纯净的实心蓝色。环境：阳光明媚的 1986 年迈阿密海滩，宽阔苍白的沙滩，绿松石色的浅滩渐深为蓝色，低矮的装饰艺术风格建筑带，稀疏的天际线。光照：正午烈日般的硬光，耀眼的天空与大海，画面锐利。色彩逻辑：米色沙滩、绿松石色与深蓝色海水、高饱和度的无云蓝天。扫拍保持平滑稳定；只有到最末尾时，相机才加速向上，将画面填满清澈的蓝天。建筑和地平线永不扭曲。电影感，4K 提示词 2： 从镜头朝上的纯净无云蓝天开始，一架 1980 年代大韩航空的波音 747 飞入画面，以带坡度的姿态从头顶掠过——可以看见其涂装的机身侧面和尾翼——然后相机向下倾斜跟随它朝远方降落，直到其目的地的平坦地貌和一条跑道出现在下方视野，发动机后方翻腾着热浪涟漪。 镜头：三段式运镜。第一拍——相机仰望着清澈的深蓝天空；一架大脑袋的波音 747 从头顶穿过，机身略微倾斜，使其侧面涂装和红色尾翼朝向镜头，扫过时距离又近又低，给人以巨大的体量感。第二拍——当它掠过时，相机向下倾斜跟踪，沿着飞机飞行、转向、在远方缩成一点朝远方地平线下降的轨迹跟随。第三拍——相机继续向下倾斜，越过地平线，露出下方远处的地面：一片平坦、朦胧、辽阔的地貌，一条灰色的机场长跑道和滑行道在其中延伸，此时小小的 747 已处于最后进近阶段，向远处的跑道俯冲下滑。结束于这架小飞机低空飞过平坦地形、与跑道对齐的画面。 飞机：一架 1980 年代大韩航空涂装的波音 747-200——白色上机身，裸露的银色下机身，一条红蓝配色的腰线，红色垂尾上有小型圆形徽标。四台发动机，驼峰式机鼻。始终保持稳定、扎实、真实的形状；在巡航高度收起落架，接近跑道时放下起落架。 目的地：从高空俯瞰的一座 1980 年代机场——在平坦的棕绿色佛罗里达地形上有长长的灰色跑道和滑行道，远处有低矮的航站楼和一座控制塔，地平线上有棕榈树和朦胧的低矮天际线。一切平坦、开阔、带着热浪氤氲——没有丘陵，没有山脉。遥远而柔和，不是锐利清晰的。 热浪：四台发动机后方，分别有一道热废气扭曲造成的闪烁涟漪在空气中颤动，细微但真实。没有白色的凝结尾迹，没有烟雾。 环境：上方是清澈的深蓝无云天空，在地平线处过渡为潮湿、朦胧的平坦大地。 光照：正午烈日般的硬光，在机身上闪烁反光。 色彩逻辑：高饱和的蓝天，白色与银色相间的机身，红色尾翼，平坦的棕绿色大地，朦胧的地平线。 只有排出的热气闪烁并扭曲——飞机本身永不发生形变。全程平滑连贯的运动。 电影感，4K