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👇 :: Use [IMAGE] as the only visual reference for the sculpture. Match its exact overall silhouette, fragmented female torso structure, shell placement over the chest, small oxidized metal leaf at the pubis, density of marine encrustations, cracked terracotta surface, embedded corals, oxidized metal fragments, fossilized algae and overall archaeological ruin quality. Keep the sculpture consistent throughout the whole video. Do not redesign, simplify or beautify the sculpture. Do not show any reference image, board, concept sheet, text or document in the video. [Style] Cinematic art-and-archaeology documentary, photorealistic, IMAX-quality, native 4K ultra-detailed output, macro cinematography, high-end museum film language, tactile realism, shallow depth of field, dramatic but elegant gallery lighting. [Duration] 10 seconds [Scene] A dark, silent, highly minimal gallery space. At the center, on a dark pedestal, stands the fragmented female torso sculpture from [IMAGE], made of weathered fired terracotta, as if recovered after 300–400 years under the sea. The anatomy is barely readable because the body is almost devoured by matter: deep cracks, extreme crazing, calcified crusts, embedded coral, barnacles, small shells, crystallized salt, hardened sediment, green marine oxidation, oxidized metal fragments, mineralized rope remains, dried fossilized algae and marine plant residue. The chest is covered by large shells integrated into the sculpture; the pubis by a small heavily oxidized metal leaf. The gallery background must stay clean, elegant, minimal and softly out of focus, never competing with the sculpture. [00:00–00:03] Extreme macro of a deep crack filled with crystallized salt, calcified coral, hardened sediment and a small oxidized metal fragment embedded in the terracotta. At first it must not read as a body at all, only as a fossilized marine formation or a shipwreck fragment. The camera slowly pushes forward with very shallow depth of field. Side lighting reveals microscopic relief, broken edges, calcified crust, salty dust and green oxidation veins. Tiny particles drift gently in front of the lens. The material detail must feel obsessive and tactile, designed to showcase 4K texture. [00:03–00:06] The camera drifts laterally and begins to suggest that this geological surface belongs to an anatomical form. One of the large shells covering the chest comes into view, still framed so closely that it reads first as sculptural matter rather than anatomy. Around it: cracked terracotta, cavities, bio-erosion, secondary shells, oxidized metal, mineralized rope and dried algae embedded in the surface. Focus breathes between the shell, the cracks and the calcified deposits, slowly revealing the curve of the torso without fully exposing it yet. The sculpture should feel like a hybrid between body, reef, shipwreck metal and archaeological relic. [00:06–00:10] The camera slowly pulls back to reveal the full sculpture on its pedestal. The female torso appears ancient, heavy and almost sacred, closer to an archaeological discovery than to a human body. The anatomy remains partially erased by marine incrustations, cracked terracotta and oxidized metal remains. Side or top light travels across the broken surfaces, shells, cracks and the oxidized metal leaf at the pubis. End on a still, contemplative hero shot where the sculpture finally reads clearly as a torso, but texture, ruin and centuries of submersion still dominate over anatomy. [Sound] A silent gallery atmosphere with very subtle reverberation, faint mineral creaks, dry particle movement, a distant almost inaudible water drip and a soft muffled metallic tick. No epic score. If music is used, it should be minimal, low, ambient and nearly imperceptible. [Important] Do not animate the sculpture as if it were alive. All intensity must come from camera movement, lighting, depth of field, floating particles and the extreme richness of the surface. Keep material, scale, pedestal, shell placement and all major damage/incrustation patterns consistent with @sculpture.png throughout the entire video.

👇 :: 仅将 [IMAGE] 作为该雕塑的唯一视觉参考。须严格匹配其整体轮廓、破碎的女性躯干结构、胸部贝壳的分布位置、耻骨处的小块氧化金属叶片、海生物附着的密度、开裂的赤陶表面、嵌入的珊瑚、氧化金属碎片、化石化的藻类以及整体考古残迹的质感。整段视频中该雕塑须保持一致。不要重新设计、简化或美化该雕塑。视频中不要展示任何参考图像、分镜板、概念设定图、文字或文档。 [风格] 电影级艺术与考古纪录片风格，照片级真实感，IMAX 级画质，原生 4K 超精细输出，微距电影摄影，高端博物馆影像语言，触觉般真实感，浅景深，戏剧化但优雅的画廊灯光。 [时长] 10 秒 [场景] 一个黑暗、安静、极度简约的画廊空间。中央的深色基座上矗立着来自 [IMAGE] 的破碎女性躯干雕塑，由风化的烧制赤陶制成，宛如在海底沉没 300–400 年后被打捞出水。由于身体几乎被物质吞噬，解剖结构几乎难以辨认：深深的裂纹、极度的开裂、钙化外壳、嵌入的珊瑚、藤壶、小贝壳、结晶盐、硬化沉积物、海洋绿色氧化、氧化金属碎片、矿化绳索残骸、干枯的化石藻类与海洋植物残留物。胸部被整合进雕塑的大型贝壳覆盖；耻骨处覆盖一片重度氧化的金属小叶片。画廊背景必须保持洁净、优雅、极简并柔和地虚化，绝不可与雕塑争夺视觉焦点。 [00:00–00:03] 极微距镜头，拍摄一道填充着结晶盐、钙化珊瑚、硬化沉积物以及一小块嵌入赤陶的氧化金属碎片的深裂缝。最初画面不应被读作身体，而仅应被读作一处化石化的海洋构造或沉船残片。镜头以极浅景深缓缓推进。侧光揭示出微观级的起伏、断裂边缘、钙化外壳、盐尘与绿色氧化纹路。微小的颗粒在镜头前轻柔漂浮。材质细节必须显得极致而具有触感，以充分展现 4K 质感。 [00:03–00:06] 镜头横向漂移，开始暗示这片地质般的表面属于某种解剖形态。覆盖胸部的大型贝壳之一进入画面，但取景仍如此贴近，以至于首先被读作雕塑物质而非解剖结构。其周围是：开裂的赤陶、空腔、生物侵蚀、次级贝壳、氧化金属、矿化绳索以及嵌入表面的干藻。焦点在贝壳、裂纹与钙化沉积物之间呼吸般游移，缓缓显露躯干的曲线，却尚未完全暴露。雕塑应让人感受到身体、礁石、沉船金属与考古遗物之间的混合体。 [00:06–00:10] 镜头缓缓拉远，揭示基座上完整的雕塑。女性躯干显得古老、厚重，几近神圣，更接近一项考古发现而非一具人体。解剖形态仍被海洋附着物、开裂的赤陶与氧化金属残余部分抹去。侧光或顶光扫过破碎的表面、贝壳、裂纹与耻骨处的氧化金属叶片。最终定格于一个静谧、沉思般的主角镜头——此时雕塑终于清晰可读为一具躯干，但质感、残迹与数个世纪的沉没仍凌驾于解剖形态之上。 [音效] 安静的画廊氛围，带有极其微弱的混响、隐约的矿物吱嘎声、干颗粒的移动声、远处几乎听不见的水滴声与一声柔和闷响的金属嘀嗒声。不使用史诗配乐。若使用音乐，须保持极简、低沉、环境化且近乎不可察觉。 [重要提示] 不要将雕塑动画化为仿佛活着一般。所有张力必须来自镜头运动、灯光、景深、漂浮的颗粒以及表面极度丰富的细节。材质、比例、基座、贝壳位置以及所有主要的损伤/附着纹理须在整段视频中始终与 @sculpture.png 保持一致。