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Prompt Share 🚨 When street art refuses to stay flat. 🦈💥 Prompt 👇 An epic, high-contrast cinematic action shot of the uploaded reference character riding a colossal, glowing "graphic" street-art shark that is violently erupting into 3D space from a monochromatic concrete city wall. LIKENESS INTEGRITY (CRITICAL) Preserve exactly: proportions, eye shape, spacing, stylization, silhouette, and material identity from the reference . Do not humanize, do not reinterpret anatomy, and do not modify facial structure . Identity must remain perfectly intact and instantly recognizable . SUBJECT & ACTION (EPIC MOTION) The character is captured in a dynamic, gravity-defying pose, surfing or riding the back of the massive shark as it breaches outward. The character wields an oversized, heavy-duty spray paint can like a weapon, leaving a thick trail of glowing neon mist. The shark itself is a collision of dimensions: its rear half is flat, stylized 2D graphic street art painted on the wall, while its front half bursts into fully volumetric 3D reality, dripping with thick, glowing neon ink and floating graphic halftone dots. CAMERA & PERSPECTIVE (FORCED SCALE) Captured with an ultra-wide 14–18mm cinematic lens from an extreme worm's-eye perspective, positioned low to the ground and angled sharply upward . The massive jaws of the graphic shark dominate the foreground, pushing incredibly close to the lens. The character towers diagonally above, creating immense scale and explosive forward momentum. Slight Dutch tilt (8–12 degrees) to destabilize the horizon . FOCUS DISCIPLINE (MANDATORY) Extremely shallow depth of field . Razor-sharp focus on the character, their oversized spray can, and the 3D glowing teeth of the shark. The flat concrete wall behind them, as well as the splashing neon ink droplets nearest the lens, fall into heavy optical blur . No full-frame sharpness . LIGHTING DOCTRINE (GRAPHIC CONTRAST) Aggressive, stylized lighting. The primary key light emits directly from the glowing neon ink of the shark (vibrant magenta, cyan, and electric yellow), casting dramatic under-lighting and hard colored rim lights on the character silhouette . The surrounding concrete environment is swallowed in deep, low-key cinematic shadows to make the graphic elements explode with contrast . MATERIAL & SURFACE DETAIL Hyper-tactile material contrast. The background wall features realistic, gritty concrete textures with micro-cracks. The shark is made of thick, glossy, liquid acrylic ink that transitions into glowing 3D volumetric forms. The character retains their exact original material identity but physically reacts to the ambient neon bounce light . ATMOSPHERE & VFX Volumetric neon mist and spray paint particles filling the air. Graphic 2D elements like floating halftone dots, bold comic-style speed lines, and ink splatters physically manifest in the 3D space, bridging the gap between flat graphic art and epic cinematic realism. NEGATIVE CONSTRAINTS No centered composition, no flat studio lighting, no static standing poses, no humanization, no evenly sharp full-frame clarity, no generic water (the shark must be made of graphic ink/paint) . ASPECT RATIO ar 16:9

提示词分享 🚨 当街头艺术拒绝保持平面。🦈💥 提示词 👇 一幅史诗级、高对比度的电影动作镜头，画面中上传的参考角色正骑乘在一只巨大的、散发着光芒的"图形化"街头艺术鲨鱼背上，这只鲨鱼正猛烈地从一面单色调的混凝土城市墙壁中喷涌而出，进入三维空间。相似度完整性（关键）严格保留参考中的比例、眼睛形状、间距、风格化方式、轮廓以及材质身份。不要拟人化，不要重新诠释解剖结构，也不要修改面部结构。身份必须保持完全完整且一眼可识别。主体与动作（史诗级运动）角色以动态的、抵抗重力的姿态被定格，正在冲破而出的同时冲浪般地驾驭着这只巨型鲨鱼的背部。角色将一个超大号的重型喷漆罐当作武器挥舞，留下一道浓厚的、散发着霓虹光芒的迷雾。鲨鱼本身是维度间的碰撞：它的后半部分是绘制在墙上的平面化、风格化的二维图形街头艺术，而前半部分则爆裂为完全立体的三维实体，滴落着浓稠的、散发着霓虹光芒的墨水，并漂浮着图形化的半调点。镜头与透视（强制尺度）使用超广角 14–18mm 电影镜头，以极端的虫瞰视角拍摄，镜头贴近地面并剧烈仰角向上。图形化鲨鱼的巨大双颌占据前景，以难以置信的距离逼近镜头。角色斜向高踞其上方，营造出巨大的尺度感与爆炸性的前进动势。轻微的荷兰角倾斜（8–12 度）以打破地平线的稳定。焦点纪律（强制）极浅的景深。角色、其超大号喷漆罐以及鲨鱼散发着光芒的三维牙齿处于刀锋般锐利的焦点中。其身后平整的混凝土墙壁，以及离镜头最近的飞溅霓虹墨水液滴，则落入严重的虚焦之中。不得出现全帧锐利。布光法则（图形化对比）激进且风格化的布光。主光源直接从鲨鱼散发霓虹光芒的墨水中发出（鲜艳的洋红、青色与电光黄），在角色轮廓上投射出戏剧化的底光与硬边的彩色边缘光。周围的混凝土环境被深深的、低调的电影级阴影所吞没，以使图形元素以对比度炸裂开来。材质与表面细节极致触感的材质对比。背景墙壁具有逼真的、粗糙的混凝土纹理与微裂缝。鲨鱼由浓稠、光泽、液态的丙烯墨水构成，并过渡为散发着光芒的三维立体形态。角色保留其完全原始的材质身份，但会对环境霓虹反射光作出物理反应。大气与特效弥漫于空气中的体积感霓虹迷雾与喷漆颗粒。浮动的半调点、大胆的漫画风速度线以及墨水飞溅等图形化二维元素在三维空间中真实显现，弥合了平面图形艺术与史诗级电影写实主义之间的鸿沟。负面约束禁止居中构图，禁止平面工作室布光，禁止静态站立姿势，禁止拟人化，禁止均匀锐利的全帧清晰度，禁止出现普通的水（鲨鱼必须由图形墨水/颜料构成）。长宽比 ar 16:9