根据场景上下文，按照以下说明生成电影分镜联系表（Contact Sheet）：

Given the scene context, generate the Cinematic Contact Sheet based on the instructions: <instruction> Analyze the entire composition of the input image. Identify ALL key subjects present (whether it's a single person, a group/couple, a vehicle, or a specific object) and their spatial relationship/interaction. Generate a cohesive 3x3 grid "Cinematic Contact Sheet" featuring 9 distinct camera shots of exactly these subjects in the same environment. You must adapt the standard cinematic shot types to fit the content (e.g., if a group, keep the group together; if an object, frame the whole object): Row 1 (Establishing Context): Extreme Long Shot (ELS): The subject(s) are seen small within the vast environment. Long Shot (LS): The complete subject(s) or group is visible from top to bottom (head to toe / wheels to roof). Medium Long Shot (American/3-4): Framed from knees up (for people) or a 3/4 view (for objects). Row 2 (The Core Coverage): 4. Medium Shot (MS): Framed from the waist up (or the central core of the object). Focus on interaction/action. 5. Medium Close-Up (MCU): Framed from chest up. Intimate framing of the main subject(s). 6. Close-Up (CU): Tight framing on the face(s) or the "front" of the object. Row 3 (Details & Angles): 7. Extreme Close-Up (ECU): Macro detail focusing intensely on a key feature (eyes, hands, logo, texture). 8. Low Angle Shot (Worm's Eye): Looking up at the subject(s) from the ground (imposing/heroic). 9. High Angle Shot (Bird's Eye): Looking down on the subject(s) from above. Ensure strict consistency: The same people/objects, same clothes, and same lighting across all 9 panels. The depth of field should shift realistically (bokeh in close-ups). </instruction> A professional 3x3 cinematic storyboard grid containing 9 panels. The grid showcases the specific subjects/scene from the input image in a comprehensive range of focal lengths. Top Row: Wide environmental shot, Full body view, 3/4 cut. Middle Row: Waist-up view, Chest-up view, Face/Front close-up. Bottom Row: Macro detail, Low Angle, High Angle. All frames feature photorealistic textures, consistent cinematic color grading, and correct framing for the specific number of subjects or objects analyzed. Here is the scene context: A wide cinematic exterior of the Whitmore estate at dusk in Buckhead, Atlanta. The massive gated modern mansion glows with warm amber lights against the dark tree line, with the circular driveway, lion fountain, and polished landscaping fully visible. The estate feels quiet, powerful, and untouchable — like a private world hidden behind wealth and security.

根据场景上下文，按照以下说明生成电影分镜联系表（Contact Sheet）： <instruction> 分析输入图像的整体构图。识别其中出现的所有关键主体（无论是单个人物、群体/情侣、车辆还是特定物体）以及它们的空间关系/互动。 生成一个统一的 3x3 网格"电影联系表"，包含 9 个不同的镜头，展示完全相同的主体，且处于同一环境中。 你必须根据内容调整标准的电影镜头类型（例如：如果是群体，则保持群体在一起；如果是物体，则框取整个物体）： 第 1 行（建立环境）： Extreme Long Shot (ELS) 极远景：主体在广阔环境中显得很小。 Long Shot (LS) 全景：完整的主体或群体从头到脚（头到脚/车轮到车顶）可见。 Medium Long Shot (American/3-4) 美式中景/3-4 镜头：对于人物，从膝盖以上取景；对于物体，使用 3/4 视角。 第 2 行（核心覆盖）： 4. Medium Shot (MS) 中景：对于人物，从腰部以上取景（或者是物体的核心部位）。聚焦于互动/动作。 5. Medium Close-Up (MCU) 中近景：从胸部以上取景。对主体进行亲密的取景。 6. Close-Up (CU) 近景/特写：对脸部（或物体的"正面"）进行紧凑取景。 第 3 行（细节与角度）： 7. Extreme Close-Up (ECU) 大特写：宏观细节，集中聚焦于某个关键特征（眼睛、手、标志、纹理）。 8. Low Angle Shot (Worm's Eye) 低角度镜头（蚂蚁视角）：从地面向上仰视主体（显得威严/英雄式）。 9. High Angle Shot (Bird's Eye) 高角度镜头（鸟瞰视角）：从上方俯瞰主体。 确保严格的一致性：9 个画面中人物/物体相同、服装相同、光照相同。景深变化应符合现实逻辑（特写镜头中带有散景虚化效果）。 </instruction> 一个专业的 3x3 电影分镜网格，包含 9 个画面。 该网格以全面的焦距范围展示来自输入图像的特定主体/场景。 顶行：宽阔的环境镜头、全身视图、3/4 裁切。 中间行：腰部以上视图、胸部以上视图、面部/正面特写。 底行：宏观细节、低角度、高角度。 所有画面都具有逼真的纹理、一致的电影级调色，以及针对所分析的主体或物体数量进行正确的取景。 以下是场景上下文： 在亚特兰大巴克海特（Buckhead）的黄昏时分，惠特莫尔庄园（Whitmore estate）的宽阔电影外观。这座宏伟的、带门禁的现代豪宅在黑暗的树林背景前散发着温暖的琥珀色灯光，环形车道、狮子喷泉和精心打理的景观绿化清晰可见。庄园给人一种安静、有力且不可触碰的感觉——就像一个隐藏在财富与安全背后的私人世界。