(在此访问 Nano Banana 2:https://t.co/fVqOq1C1pU)

(access Nano Banana 2 here: https://t.co/fVqOq1C1pU) [BRAND NAME] | [COLOR] Act as a 3D Motion Graphics Director and CGI Type Artist specializing in Japanese streetwear, Y2K motorsport aesthetics, and retro-tech hardware design. References: Kawasaki Racing livery, Yasuhiro Nightow title cards, Wipeout game UI, Peak Design × Japanese hardware collab. PHASE 0: BRAND LOGO INTELLIGENCE Retrieve the canonical logotype of [BRAND NAME] from training data. Identify its core typographic DNA — stroke weight, angle of italic lean, terminal style, any custom glyph cuts. If [BRAND NAME] uses a geometric or sans-serif wordmark — apply a 15 to 20° italic transformation while preserving all letterform proportions. If [BRAND NAME] already uses italic or script — preserve its native angle exactly. The goal is to translate the brand's typographic identity into a Japanese motorsport script register — aerodynamic, forward-leaning, built for speed. The letters must remain recognizable as [BRAND NAME]'s typeface, not replaced with a generic racing font. PHASE 1: PRIMARY TYPOGRAPHY SCULPTURE The wordmark of [BRAND NAME] is a fully 3D object — thick, physical, occupying real depth. Form language: each letter has a flat front face, beveled top and bottom edges with 30 to 45° chamfer cuts — the kind of angular geometry found on Japanese racing fairings and Kawasaki tank badges. Letters are slightly condensed and heavily italic — forward momentum is built into the geometry. The overall silhouette reads as one unified aerodynamic form — letters connect at their bases through a common ground plane, like a single cast aluminum piece. Material: high-gloss automotive lacquer in [COLOR] — the same paint system as a Japanese sports motorcycle tank. Surface properties: IOR 1.6, roughness 0.05, clear-coat depth visible. [COLOR] is pure and saturated in midtones, pushing toward near-white in specular peaks, pulling toward deep shadow in recessed zones and chamfer undersides. Reflections on the front face: subtle dark environment reflections — minimal and moody, just enough to show material depth. Top chamfer faces catch the primary light as bright highlight strips — the signature detail that defines 3D volume. PHASE 2: NEON WIRE OUTLINE SYSTEM A continuous neon tube traces the exact outer silhouette contour of the entire wordmark — every letter edge, every chamfer angle, every connecting point between letters. This is not a glow effect or a stroke — it is a physical glass neon tube, 4 to 6mm diameter, bent precisely to follow the letterform outline at a 3 to 5mm offset distance from the letter surface. Neon tube properties: glass tube body is semi-transparent — internal plasma glow visible through glass. Light emission: bright cold white light, color temperature 7000 to 8000K, pure white with very slight blue-cool bias. Emitted light creates a tight halo of illumination — 8 to 15mm radius soft glow on surrounding black void. The neon light bounces onto nearest letter surfaces — edges adjacent to the tube receive subtle cool white rim light. Tube construction: clean geometric bends at sharp corners, thin mounting wire clips at 3 to 4 points along its length — technically precise, like real neon sign hardware. PHASE 3: INTEGRATED TECHNICAL SCREEN A hardware screen panel is physically integrated with the wordmark — not a separate floating element, not placed at a distance. Integration logic — autonomously determine the most natural attachment point based on [BRAND NAME]'s logo geometry, choosing ONE of these integration modes: OVERLAP MODE — the screen panel is partially overlaid onto the rightmost or leftmost letter of the wordmark, as if mounted directly on the letter face. The letter surface shows through the screen's transparent zones. The screen edge cuts across the letter geometry deliberately — like a sticker or plate bolted onto the sculpture. EXTENSION MODE — the screen panel extends directly from the end of the final letter as a seamless continuation of the wordmark's ground plane — same italic angle, same 3D depth, as if the wordmark was designed with this panel as part of its original form. The transition from letter to screen feels like one continuous designed object. INSET MODE — the screen panel sits in a recess cut into one of the larger letters — as if a rectangular section of the letter body was removed and replaced with a hardware display. The letter geometry frames the screen on three sides. Screen physical construction: machined aluminum or brushed steel housing, same thickness as the letter sculpture — 8 to 12mm deep. The face is a slightly frosted acrylic panel backlit from within. The screen has the same italic angle as the wordmark — it is not upright, it leans with the composition. Screen contents rendered in precise small-scale detail: [BRAND NAME] in small clean technical sans-serif as primary label. An alphanumeric model code autonomously generated to feel authentic to [BRAND NAME]'s cultural language. 2 to 3 Japanese characters as secondary label. A horizontal LED progress bar — 4 to 6 rectangular segments, 1 to 2 lit in amber, others dark. A small ventilation grille or mesh pattern along one edge of the housing. The screen connects to the neon outline system via 1 to 2 thin cables — physical wires, 1 to 2mm diameter, with slight organic sag from gravity, running to the nearest neon tube mounting clip. PHASE 4: LIGHTING & ATMOSPHERE Background: pure absolute black (#000000 to #030303) — complete void, no ambient, no gradient, no surface. The composition is self-illuminated — only light sources are the neon tube emission, the screen's internal backlight, and a single narrow overhead spot. Overhead spot: focused directly above the wordmark center — illuminates top chamfer faces as bright highlight strips, falls off completely within 5 to 10cm of letterform edges, never reaches the background. Neon contribution: cool white rim light on adjacent letter edges, 8 to 15mm glow halo in surrounding void, reflected light on cables and screen housing. Screen contribution: the frosted acrylic face emits a soft diffused glow — slightly cooler than the neon, illuminating the immediate area of whichever letter the screen is integrated with. The amber LED segments create a warm micro-glow within the screen housing. No other light sources. No rim lights. No fill. Darkness is absolute outside self-illuminated zones. PHASE 5: COMPOSITION Aspect ratio: 1:1 square. The wordmark with integrated screen occupies the horizontal center — wider than tall, spreading laterally. The screen integration should feel like it was always part of the logo design — not an accessory bolted on, but a native component. Vertical position: slightly above center. The neon outline breaches the implied bounding box slightly at 1 to 2 points — confirming physical separation between neon tube and letter surface. Camera: slightly elevated 5 to 10° above center — reveals top chamfer faces and confirms 3D depth. Mild perspective. Depth of field: none — sharp across entire composition from screen detail to neon tube. PHASE 6: TECH SPECS Render: Octane Render or Redshift. Ray tracing: on — for accurate neon tube emission, screen backlight glow, glass refraction, cable shadows. Volumetric light: subtle around neon tube and screen face only — physically present glow without fogging the black void. Neon tube: dielectric glass material with physical light emission, not a glow map. Screen face: translucent acrylic with internal emissive backlight. Letter sculpture: automotive lacquer with full clear-coat depth. Anti-aliasing: maximum. Sampling: minimum 1024 samples. Film grain: none. Output feel: CGI title card or album cover — precision and atmosphere in equal measure. Darkness absolute. Neon and screen physically real.

(在此访问 Nano Banana 2:https://t.co/fVqOq1C1pU) [BRAND NAME] | [COLOR] 作为一名 3D 动态图形总监与 CGI 字体艺术家,专精于日系街头服饰、Y2K 赛车美学与复古科技硬件设计。参考:川崎赛车(Kawasaki Racing)涂装、天野明孝(Yasuhiro Nightow)标题卡、反重力赛车(Wipeout)游戏 UI、Peak Design × 日本硬件联名。 阶段 0:品牌 LOGO 情报 从训练数据中检索 [BRAND NAME] 的标准字标(logo type)。识别其核心字体 DNA——笔画粗细、斜体倾斜角度、终端收笔样式、任何定制字形切割。若 [BRAND NAME] 使用几何体或无衬线字标——施加 15 至 20° 的斜体变换,同时保留所有字形比例。若 [BRAND NAME] 已使用斜体或手写体——精确保留其原始角度。目标是将品牌的字体身份转译为日系赛车脚本语域——空气动力学、向前倾斜、为速度而生。字母必须保持可识别为 [BRAND NAME] 的字体,而非被替换为通用赛车字体。 阶段 1:主要字体雕塑 [BRAND NAME] 的字标是一个完整的 3D 物体——厚重、实体,占据真实深度。形式语言:每个字母具有平整的正面,顶部与底部边缘带有 30 至 45° 的斜切倒角——这种棱角几何常见于日系赛车整流罩与川崎油箱徽章。字母略微压缩且重度斜体——前进动势内建于几何之中。整体轮廓读作一个统一的空气动力学形态——字母通过共同的底面在基部相连,如同一整块铸造铝件。材质:[COLOR] 高光汽车漆——与日系运动摩托车油箱相同的涂装系统。表面属性:IOR 1.6、粗糙度 0.05、可见清漆深度。[COLOR] 在中间调中纯净且饱和,在镜面高光处趋向近白,在凹陷区域与倒角底侧拉向深影。正面反射:微妙的深色环境反射——克制而有调性,足以呈现材质深度。顶部倒角面捕捉主光为明亮高光带——定义 3D 体积的标志性细节。 阶段 2:霓虹线管轮廓系统 一根连续的霓虹灯管精确勾勒整个字标的外部轮廓——每条字母边缘、每个倒角角度、字母间每个连接点。这不是发光效果或描边——这是一根实体玻璃霓虹灯管,直径 4 至 6mm,精确弯折以沿字形轮廓走向,距字母表面 3 至 5mm 偏移距离。霓虹灯管属性:玻璃管体半透明——内部等离子辉光透过玻璃可见。光发射:明亮的冷白光,色温 7000 至 8000K,纯白带极轻微冷蓝偏色。发射光形成紧密的光晕——在周围黑色虚空中产生 8 至 15mm 半径的柔和辉光。霓虹光反弹至最近字母表面——邻近灯管的边缘接收微妙的冷白边缘光。灯管构造:在尖锐转角处干净的几何弯折,沿其长度在 3 至 4 个点设有细金属安装夹——技术上精确,如真实霓虹灯招牌硬件。 阶段 3:集成技术屏幕 一块硬件屏幕面板与字标物理集成——不是独立的浮动元素,也不置于远处。集成逻辑——根据 [BRAND NAME] 的 logo 几何自主确定最自然的连接点,选择以下集成模式之一:重叠模式(OVERLAP MODE)——屏幕面板部分覆盖于字标最右或最左字母之上,如直接安装在字母表面。字母表面透过屏幕透明区域可见。屏幕边缘刻意切穿字母几何——如贴纸或螺栓固定的铭牌。延伸模式(EXTENSION MODE)——屏幕面板从最后一个字母末端直接延伸,作为字标底面的无缝延续——相同的斜体角度、相同的 3D 深度,仿佛字标在最初设计时就包含此面板。字母到屏幕的过渡如同一件连续设计的物体。嵌入模式(INSET MODE)——屏幕面板嵌入其中一个较大字母的凹槽中——仿佛字母本体的一个矩形区域被移除并替换为硬件显示器。字母几何三面框定屏幕。 屏幕物理构造:机加工铝或拉丝钢外壳,与字母雕塑同厚度——深 8 至 12mm。面板为略磨砂的亚克力板,由内部背光照明。屏幕与字标同斜体角度——非垂直,随构图倾斜。屏幕内容以精确的小尺度细节渲染:[BRAND NAME] 以小型干净的技术无衬线字体作为主标签。一个自主生成的字母数字型号代码,贴合 [BRAND NAME] 的文化语言。2 至 3 个日文字符作为次级标签。一条水平 LED 进度条——4 至 6 个矩形段,1 至 2 段点亮为琥珀色,其余暗灭。外壳一侧边缘设有小型通风栅格或网孔图案。屏幕通过 1 至 2 根细线缆连接至霓虹轮廓系统——实体线缆,直径 1 至 2mm,因重力轻微有机下垂,连接至最近的霓虹灯管安装夹。 阶段 4:灯光与氛围 背景:纯绝对黑(#000000 至 #030303)——完全虚空,无环境光、无渐变、无表面。构图为自发光——唯一光源为霓虹灯管发射、屏幕内部背光与单一窄顶光。顶光:聚焦于字标中心正上方——照亮顶部倒角面为明亮高光带,在距字母边缘 5 至 10cm 内完全衰减,永不触及背景。霓虹贡献:邻近字母边缘的冷白边缘光、周围虚空中 8 至 15mm 辉光光晕、线缆与屏幕外壳上的反射光。屏幕贡献:磨砂亚克力面发出柔和漫射辉光——比霓虹略冷,照亮屏幕所集成字母的临近区域。琥珀色 LED 段在屏幕外壳内形成温暖微光。无其他光源。无边缘光。无补光。自发光区域之外,黑暗绝对。 阶段 5:构图 宽高比:1:1 方形。集成屏幕的字标占据水平中心——宽大于高,横向延展。屏幕集成应感觉其始终是 logo 设计的一部分——非后加的配件,而是原生组件。垂直位置:略高于中心。霓虹轮廓在 1 至 2 点处略微突破隐含边界框——确认霓虹灯管与字母表面之间的物理分离。摄像机:略高于中心 5 至 10°——揭示顶部倒角面并确认 3D 深度。轻微透视。景深:无——从屏幕细节到霓虹灯管的整个构图全幅锐利。 阶段 6:技术规格 渲染:Octane Render 或 Redshift。光线追踪:开启——为准确呈现霓虹灯管发射、屏幕背光辉光、玻璃折射、线缆阴影。体积光:仅在霓虹灯管与屏幕面板周围微妙呈现——物理存在的辉光,但不在黑色虚空中形成雾化。霓虹灯管:电介质玻璃材质,具物理光发射,非发光贴图。屏幕面板:半透明亚克力,具内部发射背光。字母雕塑:汽车漆,具完整清漆深度。抗锯齿:最大。采样:最低 1024 采样。胶片颗粒:无。输出感:CGI 标题卡或专辑封面——精度与氛围并重。黑暗绝对。霓虹与屏幕物理真实。